FREUD'S LAST SESSION
Screenplay by
Mark St. Germain and Matthew Brown
ADAPTED FROM
FADE IN:
1 INT. FREUD'S STUDY, HAMPSTEAD, LONDON (NIGHT) 1
CREDITS ROLL as we move d own a row of STATUARY-- The BABOON
OF THOTH, Roman, 395 A.D., then - A STONE GORGON HEAD,
hideously grinning, 2nd CENTURY.
2 INT. THE KILNS, C.S. LEWIS' BEDROOM (OXFORD) 2
FRAMED PHOTOGRAPH of CHRIST'S FACE on the SHROUD OF TURIN.
With reverse photography, CHRIST'S features are seen clearly
on his burial cloth.
3 INT. FREUD'S STUDY 3
C.U. ISIS SUCKLING THE INFANT HORUS, 664 B.C., Egyptian.
4 INT. C.S. LEWIS' BEDROOM 4
C.U. A MARBLE CARVING of the MADONNA, cradling the infant
CHRIST.
5 INT. FREUD'S STUDY (MORNING) 5
A DOG'S face, puzzled. The Chou, "JOFI," stares quizzically
across the room. Behind Jofi, the small statue of ISIS and
the others are on a long bookshelf. All are statues and
carvings of various sizes. All are Gods.
INSERT TITLE: LONDON, SEPTEMBER 3, 1939
At the end of the bookshelf, a divan is covered by an
Oriental carpet. A woman leaning over the divan blocks our
view of the person stretched out on it.
We look up at the face of ANNA FREUD, 43, psychoanalyst,
bright but tightly wound, concentrating intensely.
The SOUND of raspy, pained exhale. Her back to us, Anna helps
the unidentifiable man sit up on the couch, returning his
feet to the floor. She adjusts the bow tie below his white,
bearded chin.
Anna takes a step back, revealing her FATHER, DR. SIGMUND
FREUD, 83, not at all well.
2.
FREUD
(Latin)
Medicus animarum.
Anna takes his hands, helping him to his feet.
ANNA
(smiling)
"The Doctor lives."
END CREDITS.
6 EXT. THE KILNS, C.S. LEWIS' HOME (OXFORD, DAY) 6
The small, brick country home of C.S. Lewis known as the
Kilns, rose bushes climbing up the front of the house.
7 INT. LEWIS' BEDROOM 7
C.S. LEWIS, a youthful spirit, despite the toll of the Great
War. He's an Oxford Don, but one you'd still share a pint
with. He puts on his vest and looks out his window at the
vast, green countryside.
MRS. JANIE MOORE, a striking woman, nearly twenty years
older, attempts to help Lewis with his tie. He moves away,
adjusting it himself.
JANIE MOORE
Call him! Just tell him you can't
come! London will be bedlam.
LEWIS
No one tells a man like him
anything.
JANIE MOORE
But today? It's dangerous! Stay
here, with me. We'll wait for
news.
LEWIS
Bad news will find you anywhere.
Janie hugs him.
JANIE MOORE
Don't leave, Jack.
Lewis gently pulls away, taking her hands.
3.
LEWIS
We survived one war, Janie. We will
again.
8 EXT. KILNS MOMENTS LATER 8
Lewis, wearing his topcoat and a small cardboard box on a
strap around his shoulder, comes down his front path. He
notices an elderly woman, wearing vintage clothing up ahead
with her dog, a chow. Suddenly the door behind him opens and
Janie comes running after him, pulling on her coat.
JANIE MOORE
I'm coming with you.
LEWIS
No reason to go. I'll be fine on my
own.
She's heard this too many times.
JANIE MOORE
The "reason" is that I'd like to.
LEWIS
Stay here, where you're safe.
Really, Janie. I'm perfectly fine.
Janie is hurt.
JANIE MOORE
You always are, aren't you?
Anywhere but here.
Lewis watches her return to the house, shutting the door.
When he turns back, the old woman and his dog are no longer
there. He looks slightly confused and continues on.
9 INT. OXFORD TRAIN STATION (MINUTES LATER) 9
Lewis steps out to a platform. There's a nervous energy,
people on edge. Nearly everyone carries the same cardboard
box. Lewis stands and watches alongside another older woman
as soldiers herd children onto a crowded train.
WOMAN
It's horrid... Having to send
their children off for fear of
bombs...
Lewis agrees, watches as a YOUNG MOTHER strings an I.D. Card
around her six year old's neck with his destination: Norwich.
4.
A Soldier signals to the Conductor and the train pulls out.
Children, uncomprehending, frightened, wave "goodbye" to
their families. Some parents force smiles, others cry.
The Norwich mother begins running alongside the moving train,
touches the window meeting her son's hand. The train gains
speed, HER HUSBAND catches her. She stops, sobbing in his
arms.
Orchestra music playing from the station's loudspeakers
abruptly stops.
BBC ANNOUNCER
Regular programming is interrupted
to bring you this broadcast. The
German Ministry continues to assert
Chancellor Hitler's claim that the
Polish state has ignored offers of
peaceful settlement. There is still
no official response to the Prime
Minister's ultimatum that all
troops be immediately withdrawn.
Lewis and others stare silently at the speaker, faces filled
with concern.
10 INT. FREUD'S STUDY 10
Freud stands before his radio, listening keenly to the same
broadcast, Anna at his side.
BBC ANNOUNCER (CONT.)
We have just received confirmation
that Slovakian troops have joined
the Russian invasion. We return to
the BBC Orchestra until we bring
you more news.
The orchestra resumes playing. Freud turns the music off.
Anna sees his tie askew, and tries to adjust it. He moves
away, irritable.
ANNA
I'm not going in, I'll call the
Institute.
FREUD
Your students expect you.
He goes to the mirror and adjusts his tie himself.
5.
ANNA
They'll be thrilled to have a free
period.
FREUD
They need routine, today of all
days. I can take care of myself.
Dr. Schur will be here with the
morphine within the hour.
(checks his watch)
I think - or was it?
He checks his watch again. A brief moment of confusion -
hardly noticeable - but Anna is aware of her Father's
disorientation - no longer 'Professorial absent mindedness '-
but some other disorder.
A slight pause: Freud looks around a moment, then remembers
something. He takes a small square of paper from his pocket,
looks at something written on it.
FREUD (CONT'D)
Oh yes. There is also an Oxford
Don coming. Today. He needs an
education on punctuality.
ANNA
(surprised)
Who's that?
FREUD
What?
ANNA
The oxford Don? Who is it?
He glances back at the square of paper.
FREUD
A Professor Lewis...
ANNA
Lewis?
Freud grows irritated - 'is my daughter going deaf?' Elderly
anxiety and impatience.
FREUD
Professor C.S. Lewis. From Oxford.
ANNA
The Christian Apologist?
6.
FREUD
Ja. Who has much to apologize for.
Anna goes to help him fix the stupid tie. Again, flicking his
hand, her father pulls away to adjust the tie himself.
ANNA
I'd like to bring Dorothy back with
me. On a day like this, no one
should be alone.
FREUD
(irritated, petulant)
We won't be alone!
He walks to his desk and picks up papers, opens a drawer,
shuts it - meaningless activity - anything to escape fights,
arguments, opposition.
FREUD (CONT'D)
And I'm certain Dorothy would be
more comfortable in her own home.
Searches for something in his pockets, on his desk.
FREUD (CONT'D)
Maybe next week.
ANNA
Then the next, and the next. When,
Father? How many times do I have to
ask you? It's past time you
accept...
She stops herself. Freud, suddenly exhausted, almost tearful,
sits down on his famous couch. Clamps his eyes shut.
A depression. BRIEF SILENCE. Sounds of the house. Clock
ticking. Car horn. Distant piano practice. The crushing
melancholy of Life.
Sudden unendurable fear and depression. The morphine and the
pain itself are taking their toll, causing mental lapses.
Two still figures of utter loneliness. Anna standing quietly
in the patriarchal center of her life. The broken patriarch
on the sofa of recovery, now in need of counseling and help.
Freud pats the couch for Anna to sit beside him.
FREUD
(quietly)
You remember Professor Einstein's
visit?
7.
ANNA
Of course.
Her father opens his eyes and looks ahead into the growing
shadows of the room.
FREUD
We talked about the true indication
of insanity: Doing the same thing
over and over and expecting a
different result.
ANNA
So the surest indication of
"sanity" would be the ability to
change your mind.
Exhausted by this constant battling and her father's
monumental narcissism, she quietly leaves the room.
11 EXT. TUBE STATION, LONDON (DAY) 11
Lewis emerges from the tube station in London, where he
observes soldiers placing sand bags outside, barrage balloons
filling the sky.
It's hectic, families entering the station carrying
suitcases, evacuating the city. Lewis checks his watch and
quickens his pace against the herd.
12 EXT. MARESFIELD COURT (LATER) 12
Lewis turns up the street past another family securing
suitcases to the roof of their car. Just ahead, the door to
20 Maresfield Garden opens, and Anna emerges wearing an
overcoat and hat, walking quickly up the street.
LEWIS and ANNA hurry past each other.
After a few steps Anna looks back, realizing the man might be
Lewis. She turns back and he is checking the house number.
She watches dubiously as he starts towards the door. She
hesitates, call out -
ANNA
Professor Lewis?
LEWIS
(turns back)
Yes?
8.
ANNA
Anna Freud... I just wanted to say
hello, and well...
(forces a smile)
Good luck to you.
She turns away awkwardly and quickly goes. Lewis looks
puzzled. "Good luck?"
13 INT. FREUD'S STUDY 13
Freud writes at his desk, crowded with dozens of statuettes.
SOUND of BARKING, then the DOORBELL. He looks over at the
clock on a curio filled shelf: 11:25. He rises and walks
toward his study door.
FREUD
Jofi! You hear someone coming?
Smart dog.
14 INT. HALLWAY 14
Freud emerges from his study, spots Jofi yapping at the door.
FREUD
Jofi! Come here, Jofi! Run to
Papa!
Jofi stares at him, not moving.
FREUD (CONT'D)
Or just sit there.
15 EXT. FRONT DOOR 15
The door opens. Lewis, already anxious, stares into Freud's
stone face.
LEWIS
Dr. Freud! I'm-
FREUD
Professor Lewis, I had given you up
for lost.
Lewis takes off his coat, expecting Freud to take it.
Instead, Freud turns and walks toward his study.
Jofi, coming closer, watches Lewis follow Freud. Lewis smiles
at the dog, something vaguely familiar, but Jofi bolts off.
9.
LEWIS
What kind of dog is he?
Freud stops at the door of his study.
FREUD
A chow. Highly intelligent. He is
my assistant.
LEWIS
(smiling)
Really?
Freud does not return the smile.
FREUD
Ja. Really.
FREUD'S unblinking `seriousness' is a mask, Teutonic
humorlessness.
FREUD (CONT'D)
He stays with me through all my
sessions. Jofi is my emotional
barometer.
LEWIS
How so?
FREUD
If a patient is calm, he stretches
out at my feet. But if a patient is
agitated, Jofi stands at my side
and never takes his eyes off him.
Lewis tries to lighten things up, but his attempts are inane.
LEWIS
How interesting.
Lewis looks to Jofi, who stares back from down the corridor.
LEWIS (CONT'D)
What should I make of him running
away at the sight of me?
Another dead pan stare from Freud.
FREUD
He, too, is a fanatic for
punctuality.
Freud checks his fob watch, enters his study. Lewis hangs his
coat on a rack along with the cardboard box he's carried.
10.
16 INT. FREUD'S STUDY 16
Freud goes and sits behind his desk. LEWIS looks around the
room. FREUD watches him as if studying a new form of life.
FREUD
Fortunately for her, my wife is
traveling with her cousin so I have
sent out our housekeeper to stock
up on canned goods, canned food.
We must always expect the worst.
Agreed?
LEWIS
Of course. I'm terribly sorry to be
so late. All the trains were
filled with children being
evacuated to the country. Have you
been listening to the radio?
FREUD
I always listen to the radio. I
find it convenient to be warned
before getting bombed... I have
other engagements so our visit must
be brief.
LEWIS
Perhaps we should postpone?
FREUD
Until when, Professor? Until when?
Do you count on your tomorrows?
Because I do not.
LEWIS
Of course.
Freud watches his visitor closely.
FREUD
You, British people, you say: `of
course' numerous times in
conversation. 'Of course'. Why is
that? What does it mean?
LEWIS
I don't know. Habit. I suppose.
FREUD
Interesting.
FREUD smiles a little as he quietly studies LEWIS. A moment
of peace, tranquility and deeper understanding. Stillness.
11.
Two opposite personalities from different backgrounds,
different national traits and tragic histories. A clock
chimes quietly from some distant room.
LEWIS crosses to the window. He looks out at the garden.
LEWIS
You have a lovely home.
FREUD
Yes. My daughter, Anna, has done
her best to replicate our home in
Vienna.
He watches Lewis over at the window.
FREUD (CONT'D)
You, too, are not a native of this
country. Am I correct?
LEWIS
(looking out)
I was born in Belfast, but I've
been here since when I was sent to
boarding school at thirteen.
FREUD
Your Irish will always win out. We
all try so valiantly to leave our
past. Our childhood. But they will
never leave us. Nor the sorrows of
the world...
(a beat)
This will never be my home.
FREUD contemplates the shadows in the room. The slow ticking
of the clock.
Suddenly, Freud gets up from behind his desk. The old man
goes towards the French window. He passes by Lewis as if he
wasn't there, reaches the double door and throws it open to
the garden -
WHICH IS SUDDENLY NOT THE GARDEN.
17 EXT. RATHAUS (TOWN HALL) GARDENS, VIENNA 1930 17
TO GREAT APPLAUSE two officials, seen from Freud's POV, open
the double doors to the Vienna garden where a crowd is
gathered.
12.
18 EXT. FREUD'S GARDEN, ENGLAND - SAME 18
Freud steps into his own gardens followed by a curious Lewis.
19 EXT. GARDENS, VIENNA - SAME 19
Freud's POV, as he passes colleagues and friends. His wife,
MARTHA, matronly, claps proudly.
DR. ERNEST JONES, 50, British, neurologist and psychoanalyst,
applauds from the end of his aisle. Dr. Jones looks across
the aisle, noticing Anna. She senses his gaze, meets his
eyes, and then quickly turns back to-
DOROTHY BURLINGHAM, 48, seated beside Anna. She is an
American heiress to the Tiffany fortune. Pretty, with short
cropped hair, there is an intimacy apparent between her and
Anna, not lost on Freud.
MAYOR (O.S.)
Es ist mir eine große Ehre...
Freud joins the MAYOR on the platform stage in front of the
garden's large fountain flanked by Luminaries.
MAYOR (CONT'D)
Herrn Dr. Sigmund Freud heuer die
Goethemedaille zu verleihen. (It is
my honor to present this year's
Goethe Prize to Dr Sigmund Freud.)
The Mayor hangs the ribbon holding the GOETHE MEDAL around
Freud's neck. To Freud's side is a huge AUSTRIAN FLAG.
MAYOR (CONT'D)
Herzlichen Glückwunsch, Doktor!
(Congratulations Doctor!)
MOMENTS LATER
Freud makes the rounds, when he is pulled aside by Dr. Jones.
DR. ERNEST JONES
They've never given the Goethe
Prize to a Psychoanalyst before.
20 EXT. GARDEN, ENGLAND - SAME 20
Lewis watches Freud, concerned.
13.
FREUD
They've never had Psychoanalysts in
Germany before.
LEWIS, confused, notices Freud's sudden disorientation. He
takes the doctor's arm.
LEWIS
Dr. Freud? Are you?
FREUD
What!
FREUD is startled. He finds human contact unpleasant. As if
waking from a sleep, still disoriented, staring into space as
if he had been watching those people, those memories of Anna,
all the while.
The OS voices - his memory of the two women - Anna and
Dorothy laughing so many years before. Echoes and
Distortions.
21 EXT. GARDEN, VIENNA - SAME 21
Freud's POV. Quick Flash back to Anna, carrying a bouquet.
Dorothy watches them, from behind. Freud sees Dorothy, then
stares at his daughter.
FREUD
Here is my prize...
22 EXT. GARDEN, ENGLAND - SAME 22
FREUD CONT.
....with whom I am always happy.
In front of him is the azalea bush. Then suddenly free of
hallucination. Back in the present moment. His favorite
flower, the azalea! He notices LEWIS, but manages to cover
his brief lapse.
FREUD
My favorite flower, azalea.
Freud reaches into his pocket for a small penknife/flower
clippers, and plucks two azaleas from the bush. Much to
LEWIS's surprise, the Doctor presents an azalea to him.
Almost a gesture of friendship and respect.
He threads the stem into the lapel button hole of LEWIS'
jacket, then attempts to fix the other flower into his own.
14.
LEWIS helps him. It could symbolize Freud's only bond of
friendship and trust.
Suddenly, he is conscious of this `too close' moment of
`intimacy,' and the formidable and rigid mask, sternness
returns his face.
FREUD (CONT'D)
Since we have so little time we
should come to the reason I wrote
you.
He begins to trudge back to the house. Lewis, unsure,
follows.
LEWIS
Of course. My book, "Pilgrim's
Regress."
FREUD
It's a parody, yes? A parody on
"Pilgrim's Progress", yes?
LEWIS
Yes.
FREUD
A clever idea if anyone still reads
Milton.
LEWIS
I understand that what I've written
offends you.
FREUD
Offends me? Why?
LEWIS
My satirizing you with the
"Sigmund" character. Bombastic.
Vain. Ignorant. Perhaps I was over
zealous. I'm sorry if you took it
as a personal attack. But I can't
apologize for challenging your
world view when it completely
negates my own.
FREUD
Which is?
Lewis stops. FREUD continues his painful walk back towards
the sanctuary of his office.
15.
LEWIS
That there is a God. That a man
doesn't have to be an imbecile to
believe that. And those of us who
do aren't suffering from an
"obsessional neurosis."
FREUD
(pause)
Oh, I've never read your book.
Lewis, taken aback, deflated - he just stares at the doctor,
who disappears through the double doors and into his Office.
23 INT. FREUD'S STUDY 23
Freud fusses at the tea table as Lewis enters inside.
FREUD
Tea?
LEWIS
(Still stung)
No, thank you.
FREUD
Good. It must be cold by now.
Surreptitiously, Freud puts a pill in his mouth. He coughs,
clears his throat, then coughs again. Lewis gestures, but
Freud waves him off, pouring a glass of water.
FREUD (CONT'D)
Professor Lewis, if you disagree so
strongly with my views, why did you
come here to see me?
LEWIS
Not all of them. When I was a
student we devoured your every book
to discover our latent perversions.
And I was shocked when I read you
declared Pilgrim's Progress a work
of "genius." Seriously? A clash
between God and Satan?
FREUD
I didn't say whose side I was on.
LEWIS
You've insisted all your life that
the very concept of God is
ludicrous.
16.
FREUD
Yes.
LEWIS
So why do you care what I think if
you're satisfied in your disbelief?
Why am I here?
A beat - for the first time, the shadow of a smile crosses
over Freud's face.
FREUD
For one reason. I want to learn why
a man of your supreme intellect
could suddenly abandon truth and
embrace an insidious lie.
LEWIS
What if it isn't a lie? Have you
ever considered how terrifying it
would be to realize you're wrong?
FREUD
Far less terrifying than it would
be for you. You said earlier that
you challenge my world view, my
belief in disbelief.
LEWIS
I do.
PAUSE then a broad welcoming smile beams onto Dr. Freud's
face, and he opens his arms of welcome. Lewis stares at him,
realizing the true reason for his visit.
Just then the phone rings. Freud walks over and picks it up.
24 INT. STUDY OF THE LONDON PSYCHOANALYTIC SOCIETY SAME 24
Anna is on the phone. Classical music from the BBC Orchestra
is heard from a radio on the Secretary's desk.
ANNA
(on phone)
Have you frightened off your
Professor yet?
25 INT. FREUD'S STUDY - CONT. 25
Freud steals a glance at Lewis.
17.
FREUD
(on phone)
Soon, I'm sure... No, stay and
lecture, I'm perfectly well. Ja.
26 INT. HALLWAY OF THE PSYCHOANALYTIC SOCIETY 26
Anna hangs up. Behind her in the hallway, the Society's
President, DR. BERBRIDGE, listens to an angry male STUDENT.
STUDENT
His daughter? I'm not paying
tuition to hear her opinions.
DR. BERBRIDGE
Miss Freud is an expert on Freudian
and Kleinian Analysis, and a valued
member of our Psychoanalytic
Society.
STUDENT
Which I'm sure she achieved through
her own merit. She's not even a
Doctor. Why should I waste my time
with her lecture?
Anna emerges from the office.
ANNA
You shouldn't, Mr. Hensel. You're
absolutely right, you wouldn't
learn a thing. I'm sure you already
know all there is about adolescent
narcissism.
She walks toward the lecture hall. Dr. Berbridge follows.
DR. BERBRIDGE
There was no need for that. I was
handling the situation.
ANNA
I'm sorry. I missed that.
Dorothy Burlingham, fellow faculty member, spots them and
catches up, listening.
DR. BERBRIDGE
I've been looking at enrollment for
your proposed "Child Analysis"
course. Frankly, I doubt we'll get
enough interest to justify it.
18.
DOROTHY BURLINGHAM
Well I've spoken to several faculty
members who are concerned with the
scheduling of Miss Freud's class.
DR. BERBRIDGE
How so?
DOROTHY BURLINGHAM
We're asking you to consider moving
it to evening so we all can sit in.
DR. BERBRIDGE
(uncomfortable)
I'll take it into account. Ladies.
He quickly departs. Anna looks to Dorothy and mouths "Thank
You". Dorothy smiles.
DOROTHY BURLINGHAM
Did you speak to your father about
tonight?
Anna's face hardens, continues walking.
ANNA
You do know we're about to be at
war?
DOROTHY BURLINGHAM
That's nothing new for him. Never
met anyone more bellicose.
ANNA
He used to make you laugh. The
most wonderful sense of humor you
said...
DOROTHY BURLINGHAM
Did he? I hardly remember.
ANNA
You just need to be reasonable.
DOROTHY BURLINGHAM
I'm in England, aren't I? With
you. Reasonable would be that we
at least shared the same roof. The
children don't even understand. I
didn't know your father had such
delicate sensibilities.
19.
ANNA
(gives up)
I have a lecture.
Dorothy stops, frustrated. But Anna keeps walking.
ANNA (CONT'D)
Find me later.
DOROTHY BURLINGHAM
(to herself)
I always do...
27 INT. LECTURE HALL - CONTINUOUS 27
Anna enters the hall filled with students, all male. She
takes her place behind the podium on a platform, consults her
notes and looks up at the men.
ANNA
Good morning, Gentleman.
MEN
(together)
GOOD MORNING.
ANNA
Shall we begin?
28 INT. FREUD'S STUDY 28
Freud settles back in his chair.
FREUD
Please, sit.
Lewis turns to see Freud's FAMOUS COUCH and freezes.
FREUD (CONT'D)
Not there.
He indicates a chair before his desk.
FREUD (CONT'D)
Here.
LEWIS
(relieved)
Of course.
20.
FREUD
My colleague, Eric Larson, knows a
colleague of yours. A Mr. Tolkien?
LEWIS
Yes, we're close friends.
FREUD
What exactly are "Inklings"?
Lewis smiles.
LEWIS
It's what we call our literary
group at Oxford. We discuss each
other's work.
FREUD
These are fantasies?
LEWIS
Often, yes.
FREUD
I have spent much of my life
examining Fantasies. In the time I
have left I am determined to
understand what I can of reality.
Your parents, did they inject you
with this fairy tale faith?
LEWIS
No... My faith ended with my
childhood. I buried it along with
my mother. She died when I was
quite young.
Freud studies Lewis, as if a patient.
29 INT. LEWIS HOME - PARLOR - FLASHBACK CONT. 29
Young Lewis and Warren stand beside their FATHER, accepting
condolences.
LEWIS V.O)
My Father was consumed with grief,
unable to process it, or to take
ours into account.
Young Lewis looks past them to see his Mother in her coffin.
Her spirit is drained from her body, hardly recognizable, a
frightening face of death.
21.
Lewis turns to Warren, alarmed when he gives out a sob.
Their Father looks at them both. Gentlemen don't cry. Lewis
takes Warren's hand and they return to their formal stance.
LEWIS (V.O.)
His only solution was to send us
off to England for boarding school.
30 EXT. FERRY - CONTINUOUS 30
We see Lewis along with Warren, grief stricken, terrified, on
the deck of a ferry departing for England.
LEWIS (V.O.)
It's perhaps my life's greatest
trauma, more than the war.
They look back at their father and Ireland, receding in the
distance. Their father waves a pitiful goodbye, guilt-
ridden.
LEWIS (V.O.)
It was all sea and islands now, the
great continent had sunk like
Atlantis.
31 INT. BOARDING SCHOOL - FLASHBACK - DAWN 31
A cold winter's morning when the boys wake in their bunks.
Warren gives Jack his birthday gift.
LEWIS (V.O.)
But then on my next birthday, my
brother, Warren, gave me the most
wonderful present I'd ever been
given - A New World.
C.U. of a miniature, a porcelain DEER and DOE standing in a
constructed forest. The deer has a giant ball of dust stuck
to his head. A BOY'S HAND reaches down and picks up the
figure.
Young Lewis removes one deer from the "forest" his brother
created for him:
LEWIS (V.O.)
A toy forest he created in a
biscuit box.
Young Lewis pulls off a dust ball and returns the deer.
22.
We roam from the deer through the "forest", filled with
trees, boulders and a painted blue stream on the box's floor,
all in proportion.
In the center of the forest is a one dimensional BEATRIX
POTTER illustration glued to stand upright.
LEWIS (V.O., CONT.)
Moss, twigs, tiny stones and
flowers.
Suddenly, the toy forest comes to life, transforming into a
magical realm, the twilight colors all heavily saturated.
Peter Rabbit is now alive, hopping through the wooded
landscape towards a fantastic sunset. It's idyllic. Endless.
LEWIS (V.O., CONT) (CONT'D)
I thought it was the most beautiful
thing I'd ever seen. I still do.
The moment I saw it, it created a
yearning I never felt before.
32 INT. FREUD'S STUDY 32
Lewis' delight is contagious.
LEWIS
I called that feeling "Joy." I
still do.
FREUD
And this "joy" you equate with an
inherent desire for a Creator?
LEWIS
Yes.
FREUD
You were led to God by a biscuit
tin.
Lewis laughs. Freud almost smiles.
FREUD (CONT.) (CONT'D)
Our deepest cravings are never
satisfied, or even identified. In
German, we call it "Sehnsucht." A
longing. All my years I have felt
this.
23.
33 INT. FOREST - FREUD'S FLASHBACK 33
Freud is six. He walks through the dark woods, holding his
father JACOB'S hand. Enchanted, he listens to the sounds
around him.
Only this is a very different forest than the one Lewis
imagined. It is a Gothic realm, eerie and haunted,
unforgiving.
FREUD (V.O.)
A strong desire to walk in the
woods with my Father.
C.U. Freud pulls his hand free - his father tries to stop
him, but he runs ahead, deep into the woods.
JACOB FREUD
(terrified)
SIGMUND!!
But Freud doesn't even look back. He vanishes into the
forest's darkness.
Freud runs as fast as he can, weaving through the trees, but
suddenly slows to a stop, looking ahead.
Sound of a brook: Freud looks down to find he is standing in
the middle of a painted brook.
FREUD (V.O.)
I was never frightened that my
father had vanished. I was alone
in the woods where I was most
drawn.
He looks up again, and sees that the forest ahead is not
real, the trees are dark and twisted, the landscape
threatening. Freud stares, curious. He steps towards the
Gothic forest of his subconscious.
LEWIS (V.O.)
That my father would not have been
absent...
34 INT. FREUD'S STUDY 34
Freud is pulled back into reality, seizes Lewis' admission.
FREUD
Thus, your search for a Divine
Father Figure.
24.
LEWIS
If anything, it made me determined
to avoid father figures.
FREUD
A normal father-son dynamic.
Childlike adoration turns to a
realization of his weaknesses, then
the desire to displace him.
LEWIS
And your relationship with your own
father?
FREUD
At best, he was a bitter
disappointment.
35 EXT. VIENNA CITY STREET 1862 FREUD'S FLASHBACK DAY 35
Freud, six years old, holds his father, JACOB'S, hand as they
walk down the pavement. Ahead, four well-dressed YOUNG MEN
are talking and laughing, blocking the sidewalk.
One BLONDE YOUNG MAN turns to see Jacob, wearing a black
fedora, coming toward them. Jacob tightens his grip on his
son, trying to give the young men berth. They just clear
them when a hand grabs Jacob's fedora.
Jacob turns. The BLONDE MAN holds the hat gingerly as if it
is tarnished. Freud looks from his father to the men.
JACOB FREUD
Bitte (Please)
The BLONDE MAN turns to the others as if impressed by Jacob's
politeness.
BLONDE YOUNG MAN
"Bitte"?
He moves as if to hand Jacob his hat back and at the last
moment tosses it over his shoulder into the muddy street.
The young men laugh as the hat sits in a puddle. Freud is
horrified. The blonde man steps up to his father.
BLONDE YOUNG MAN (CONT'D)
Verschwinde vom Trottoir, Du
Jude!(Get Off the sidewalk, Jew!)
He pushes Jacob, who loses balance, falling backward into the
muddy street alongside his hat.
25.
Freud watches his father, covered in mud, rise with his hat,
shaking mud off it.
BLONDE YOUNG MAN (CONT'D)
Schweine lieben ihren Schlamm!
(Pigs love their mud!)
Shamed, Freud's Father meets his son's eyes as others laugh.
FREUD (V.O.)
I don't know which of them I
detested more.
36 INT. FREUD'S STUDY 36
Freud allows this feeling to linger into his look at Lewis.
LEWIS
The same anger you feel toward a
God that does nothing. The wish
that God doesn't exist can be just
as powerful as the belief He does.
ALL OF THE SUDDEN AN AIR RAID SIREN SCREECHES--
Stunned for a moment, both men are frozen.
FREUD
Gas masks!
Freud hurriedly takes from his desk the same cardboard box
Lewis arrived with and pulls out a gas mask.
37 EXT. MARESFIELD COURT MOMENTS LATER 37
Freud and Lewis, holding their gas masks, look out to see
neighbors all rushing in the same direction. Mothers carry
infants or pull their elderly parents behind them.
LEWIS
WHERE'S THE SHELTER?
Freud points to a CHURCH STEEPLE a few blocks away.
FREUD
THE CHURCH BASEMENT!
Lewis and Freud start down the street. Freud, breathing
heavily, can't move faster. He has to stop, gasping.
LEWIS
HURRY!
26.
FREUD
I CAN'T! GO!
LEWIS
I'M NOT LEAVING YOU.
FREUD
DON'T BE A FOOL!
LEWIS
TAKE MY ARM!
38 EXT. ST. THOMAS MORE CHURCH MARESFIELD COURT 38
Freud and Lewis join a crush of frightened people pushing
through the church's doors. Two priests try to keep order.
FATHER BRENNAN
FORM A LINE, PEOPLE! WE ARE NOT
ANIMALS AND THIS IS NO ARK! EASY,
EASY! EVERYONE WILL GET IN!
FREUD
(lifts eyebrow to Lewis)
Would that your St. Peter be so
generous?
Lewis just stares ahead, not amused.
39 INT. CHURCH 39
Once inside, the crowd is herded down stairs leading to the
basement, an evocative image. Everyone's eyes are in front,
except for Freud's. He scans the church's marble carvings and
painted dome. Lewis just looks ahead with dread.
40 INT. CHURCH BASEMENT 40
The sound of babies crying. People packed together. Freud
follows Lewis down the narrow stairs into the candlelit
darkness when Lewis' breathing becomes labored.
FREUD
Are you alright?
He begins to have a panic attack, reliving some past trauma.
All the noise in the room grows louder, more heightened.
Lewis puts his face to the wall, his hands grabbing the
stones on either side of him.
27.
People push past him, but not Freud who edges through them to
Lewis' side. He recognizes what is happening immediately.
FREUD (CONT'D)
You were in the war?
LEWIS
(barely audible)
The Somme....
FREUD
(confident, firmly)
Breathe. Breathe, slowly.
Lewis, does as he is told.
FREUD (CONT'D)
That's right. Focus on me.
Freud guides him off the wall.
41 EXT. CHURCH CONTINUOUS 41
Upstairs Father Brennan looks out to the street where a 1938
VAUXHALL SEDAN passes. An air raid warden leans out his
window, shouting through his bullhorn.
AIR RAID WARDEN
THERE IS NO ATTACK!! THE SIREN IS A
FALSE ALARM!
42 INT. CHURCH BASEMENT - SAME 42
Suddenly the air raid siren STOPS.
FATHER BRENNAN'S VOICE
False Alarm! We are all clear!
Lewis hears this. He takes a deep breath of relief. Freud
takes his arm to guide him back up the stairs. Lewis looks at
him grateful, but embarrassed.
43 INT. CHURCH LATER 43
As the crowd filters out, Lewis rests. He watches Freud
exploring the church, inspecting every carving and statue.
LEWIS
Dare I say you look at home?
28.
FREUD
Art appreciation. The same as I
would viewing cave paintings.
He walks past marble statues Lewis identifies.
LEWIS
Michael the Archangel, The Virgin
Mother, St. Paul, St. Paul's horse.
Freud stops before a statue of a young woman wearing a scarf
over her hair, a book in her hand with a shamrock on the
cover and a short sword tucked under her arm.
LEWIS (CONT'D)
Not a clue.
Father Brennan steps up behind as Freud continues to stare.
FATHER BRENNAN
St. Brigid. She's the Patron Saint
of Nuns.
FREUD
This is not St. Brigid.
FATHER
Who is it, then?
FREUD
St. Dymphna.
Freud continues down the aisle. Lewis, surprised, looks to an
even more surprised Father Brennan.
44 EXT. MARESFIELD COURT - CONTINUOUS 44
Lewis and Freud slowly walk back to Freud's home, the church
behind them in the distance. The Air Raid Truck comes down
the street, still broadcasting.
AIR RAID WARDEN
RETURN TO YOUR HOMES! FALSE ALARM!
APOLOGIES! THERE ARE NO BOMBS!
As the truck passes them Lewis begins to laugh. He attempts
to contain it, but it bursts out.
FREUD
What? I don't understand.
Lewis tries to stop his laughter.
29.
LEWIS
"APOLOGIES there are no bombs?!"
What would he do if there were?
Send sympathy cards?
Both Freud and Lewis are laughing now. People around them
are baffled they must be crazy men.
FREUD
(catching his breath)
This is how we forget.
LEWIS
Excuse me?
FREUD
The defense of humor. Our brains
cannot hold on to horror. We must
move on. A random thought to break
its hold. I wrote a book on humor.
Lewis nods with no enthusiasm.
LEWIS
Yes. I read it... We English take
our humor very seriously.
They turn a corner. More people return to their homes and
work. Children, wearing gas masks, play tag among them.
FREUD
English humor is still a foreign
language to me.
LEWIS
I agree.
(off his look)
Your examples were somewhat
clinical. Jokes pinned down like
dead frogs, then dissected.
FREUD
(stops, insulted)
Are you saying my methodology was
flawed?
LEWIS
No. Your jokes were. They aren't
funny.
Another air raid warden passes as they approach Freud's home.
30.
FREUD
Not funny? I used classic
illustrations!
LEWIS
Let me think..ah, here. "Two Jews
before a bath house.."
FREUD
Yes! The first Jew asks, "Have you
taken a bath?" And the second
says.. he says..
Freud laughs, tries to complete the joke again, but can't.
LEWIS
"Why? Is one missing?"
This makes Freud laugh harder. He looks at Lewis, who is
stone faced.
FREUD
Do I have to explain it's hilarity?
LEWIS
No-
FREUD
(insistent)
"Take a bath", as in bathing, or
"Take a bath", meaning stealing
one. An example of memesis! Two
conflicting realities.
LEWIS
As funny as a hanging.
Freud, stunned by this, just follows after Lewis.
SOUND OF PHONE RINGING
45 INT. FREUD'S STUDY MOMENTS LATER 45
Freud is on the phone. Lewis is by the radio, turned low.
FREUD
Yes, Max.?... How late?
(looks at his watch)
Quite severe. Can it be sooner?
Can you come later? Max?... MAX!
Freud slams the phone down.
31.
LEWIS
Can I be of any help?
Irritated, Freud gestures to the radio. Lewis turns it up.
BBC ANNOUNCER
...with the destruction of the
entire Polish Air force by the
Luftwaffe. Military and civilian
casualties are already estimated to
be over 20,000, a number certain to
rise as German bombing continues.
King George will address the
Commonwealth from Buckingham Palace
within the hour. Until then, we
return to our musical program.
The BBC Orchestra begins to play. Freud shuts the music off.
LEWIS
(shaken)
Twenty thousand killed in two days.
It's nearly impossible to take in.
Freud, in pain, seething from his doctor's delay, paces.
FREUD
More of God's "Mysterious Ways. I
wonder what would your "Inklings"
say to that?
LEWIS
A hundred things. Simultaneously.
46 INT. THE EAGLE AND CHILD PUB, OXFORD FLASHBACK 46
Inside a warm crowded pub we find a cluster of loud,
outspoken men, arguing good-naturedly. These are THE
INKLINGS. LEWIS sits beside his older brother, WARREN.
WARREN
Utter nonsense, Barfield! There is
no such thing.
BARFIELD
Of course there is! It's a physical
ailment! I feel it every time I
step inside!
LEWIS
"Library Terrors"?
32.
BARFIELD
Doesn't anyone else here get it?
That feeling when you walk into a
library and it grips you- terror at
the number of books you haven't
read yet.
Warren dismisses him, others show their agreement.
WARREN
Moving on! Who's reading?
J.R. TOLKIEN pulls a thick pile of pages from his bag.
J.R. TOLKIEN
I have a new chapter!
This doesn't meet with much enthusiasm.
BARFIELD
Tolkein, then.
TOLKIEN
Chapter Forty Eight.
Sighs are heard. Lewis holds up his hand, rising.
LEWIS
I move we order another round
first.
WARREN
A miracle! My brother is buying!
Enthusiasm from the men.
47 INT. PUB - LATER 47
ALL drink and listen to TOLKIEN read, rapt attention.
TOLKIEN
"It is not despair, for despair is
only for those who see the ending."
(to himself)
No, wait.
He scratches out part of the sentence and makes a correction.
TOLKIEN (CONT.) (CONT'D)
"Despair is for those who see the
end beyond all doubt.'
33.
WARREN
I'm confused. That was Frodo?
TOLKIEN
No, no! That's Gandalf.
BARFIELD
So Gandalf's your Christ figure?
TOLKIEN
You could say the same about Frodo.
There are really three
WARREN
A Trinity.
TOLKIEN
Actually, they're more like Demi-
Gods.
LEWIS
Have you thought about adding any
specified breed of ogres to Middle
Earth?
TOLKIEN
What kind, Jack?
LEWIS
The ones who eat Hobbits.
Even Tolkien has to laugh.
48 EXT. OXFORD - ADDISON'S WALK SUNSET 48
A path lined with trees leading into the deep woods. Tolkien
and Lewis appear, walking past a tree. Both wear ties and
black academic robes. Tolkien smokes his perpetual pipe.
LEWIS
Have you been indoctrinating my
brother again?
TOLKIEN
Me? Never.
LEWIS
Warren's insisting I go with him to
Falconer Tavern to try their Tyskie
Pale Lager this Sunday.
TOLKIEN
So?
34.
LEWIS
Coincidentally, it's just across
the street from his new Church.
TOLKIEN
I'm innocent. But let me know about
the lager.
LEWIS
What about Weldon? I saw him last
evening.
TOLKIEN
"Sour Tom"?
49 INT. LEWIS' CHAMBER FLASHBACK THE PREVIOUS EVENING 49
WELDON, a heavyset man, sits before a fire as Lewis
approaches with their next round. Weldon reaches for his
glass of scotch.
WELDON
(reluctantly)
I've been reading the Bible.
Reluctantly.
Lewis takes the drink back, laughing.
LEWIS
I felt no earthquake.
WELDON
And I'm nearly amused.
(takes his drink back)
Lewis, I've been examining the
historical authenticity of the New
Testament.
Weldon stops himself, embarrassed.
LEWIS
"Authenticity?"
WELDON
It seems that its events... From
first study, of course...
(plunges in)
I think it all really happened.
Off Lewis' bafflement.
35.
50 EXT. ADDISON'S WALK 50
Tolkien stops to listen.
LEWIS
He was so flustered he left before
my shock wore off. Weldon's always
been an atheist.
TOLKIEN
A rabid one.
LEWIS
How could he, of anyone, take the
Bible literally? It's a fictional
anthology of myths and legends.
Tolkien stops. Lewis follows his view:
A DEER and her DOE standing in the forest, look back at them.
TOLKIEN (CONT.)
(hushed)
When you read myths about Gods
coming to earth and sacrificing
themselves, their stories move you.
As long as you read them anywhere
but the Bible.
LEWIS
Nonsense!
The DEER bolt back into the forest, disappearing.
Embarrassed, Lewis looks to Tolkien, who shakes his head and
continues walking.
TOLKIEN
Jack, pagan myths were born through
God expressing Himself. But the
myth of Christ is God expressing
Himself through Himself. What
makes it more than myth is that
Christ actually walked the earth
among us. His dying transformed
myth into truth and transforms the
lives of all who believe in Him.
LEWIS
You're a Scholar, Clive! Don't you
have an obligation to seek the
truth?
36.
TOLKIEN
Of course! The same as you. Do your
research, examine the evidence.
Lewis scowls, but it's a fair point.
51 EXT. OXFORD - FLASHBACK CONT. 51
Lewis walks through Oxford to the doors of Bodleian Library.
52 INT. RARE BOOK ROOM - FLASHBACK CONT. 52
LEWIS (V.O.)
Which I did.
A DOCENT, wearing white gloves, carefully takes a book from
its locked cabinet.
LEWIS (V.O.)
No book was safe. From current
scholarship back 1600 years.
Starting with the Codex Sinaiticus.
The oldest surviving manuscript
copy of the New Testament.
The DOCENT finds Lewis and puts it gently on the table before
him. Lewis sits, impressed. With gloved hands he opens the
book to the first page, written in Greek.
LEWIS
The Book of Matthew. 400 A.D.
53 INT. LEWIS' BEDROOM - LATE EVENING 53
The door that connects Janie's bedroom to Lewis' opens. Janie
stands in the doorway, wearing her nightgown, loosely drawn.
She frowns to see Lewis at his desk, reading.
She goes over to him, standing behind him. Her POV of Lewis,
reading, a pen in his hand and a pad filled with notes.
JANIE MOORE
Jack?
JACK
Mmm?
Lewis doesn't look up. She puts her hands on his shoulders,
whispers into his ear.
37.
JANIE MOORE
Bedtime.
JACK
(not listening)
Good night.
JANIE MOORE
What can you be reading that's more
fascinating than me?
She leans down to see. Disbelief.
JANIE MOORE (CONT'D)
The Bible?!
JACK
Have you read it?
JANIE MOORE
It's been quoted at me.
JACK
It's often a weapon, isn't it?
She looks more closely.
JANIE MOORE
The Creation. Adam and Eve? You
don't really believe all that, do
you? That they were real?
LEWIS
I believe it doesn't really matter
what I think.
Janie stares at Lewis, who still hasn't looked up.
54 INT. FREUD'S STUDY 54
Freud waits, curious, for his explanation.
LEWIS
Critically, as a literary
historian, I'm perfectly convinced
that whatever the Gospels are, they
aren't myths. They aren't artistic
enough. They're clumsy. Most of
the life of Jesus is left totally
unknown to us, and writer's
building a legend wouldn't allow
that to happen.
38.
Amused, Freud leans forward over his desk.
FREUD
You are convinced of Christ's
existence because of bad
storytelling?
LEWIS
Christ's existence isn't in doubt,
only who he was. The man was
chronicled by his contemporaries
and historians. Even H.G. Wells,
whose skepticism rivaled my own,
admitted "Here was a man. This part
of the tale could not have been
invented.'
FREUD
That Christ was a man I don't
argue. The same as Mohammed or
Buddha.
LEWIS
But only Christ made the appalling
claim to be the Messiah. He also
claimed the power to forgive sins;
how absurd is that?
FREUD
I'm convinced. Christ was a
lunatic.
Freud rises from his seat and goes over to the bathroom.
55 INT. FREUD'S BATHROOM /FREUD'S STUDY - MOMENTS LATER 55
Freud stands before an open medicine cabinet, takes out a
small bottle. He hesitates, picks up a tiny onyx pill box.
FREUD (CONT.)
(loudly, to be heard)
Why should I take Christ's claim to
be God more seriously than the
dozen patients I've treated who
claim to be Christ?
Freud opens the tiny black pill box: a single dark red pill.
56 INT. FREUD'S STUDY 56
Frustrated, Lewis looks back at the door, to Freud.
39.
LEWIS
And did you find a single person
whose concept of reality was
otherwise sound?
57 INT. BATHROOM - SAME 57
Freud, agitated, stands at the sink, considering.
FREUD
(reluctantly)
No.
Freud stares at himself in the mirror, he looks old. He can
see his own physical pain reflected in his face.
58 INT. FREUD'S STUDY 58
Freud goes back to sit behind his desk, opens the top drawer
and puts the small box inside. Closes the drawer.
LEWIS
So if Christ was not a lunatic it
forced me to consider the only
choice I was left with.
59 EXT. LONDON STREETS - LEWIS FLASHBACK DAY 59
The roar of an engine accelerating. Lewis rides on the back
of his brother WARREN's motorcycle.
He looks at the crowds of people they swiftly pass and all of
a sudden his expression changes.
He seems to see something that surprises him. Then
everything slows down for him as the "Crowd" becomes
individual portraits of unique lives.
LEWIS (V.O.)
On my way to the London Zoo, my
decision came as naturally as I
decided to wear trousers that
morning.
An OLD MAN, hunched over, walks slowly down the street. An
excited gang of TEENS runs past him on either side.
A MIDDLE AGED WOMAN tries to conceal her tears with her
handkerchief, walking faster.
A POLICEMAN discreetly turns to watch an ATTRACTIVE WOMAN.
40.
A VIOLINIST on the park corner is lost in his music,
oblivious that no one has stopped to listen.
SOUND: THE SQUEAL OF BRAKES, A CAR HORN HONKS-- WARREN'S
SMALL MOTORCYCLE BUMPS UP THE CURB ONTO A SIDEWALK AS HE
SWERVES TO AVOID AN ONCOMING CAR, A LARGE, WIDE AUSTIN.
HIS CYCLE MOTOR CHOKES, STALLS AND STOPS. WARREN IS SHAKEN,
LEWIS IS PERFECTLY COMPOSED.
Lewis turns to his brother.
LEWIS
Warren?
WARREN
Don't blame me! The Bugger was in
the middle of the road! And
speeding!
He sees his brother is lost in some other thought.
WARREN (CONT'D)
You alright?
LEWIS
I believe Jesus Christ is the Son
of God.
Warren, stares at Lewis, expecting a punch line. When there
isn't one, he starts up his motorcycle.
WARREN
Well then.
They drive off.
60 INT. FREUD'S STUDY 60
Freud rolls his eyes, unimpressed.
LEWIS
It was that simple.
FREUD
Things are simple only when you
choose not to examine them.
LEWIS
Some things can be accepted. I'm
here before you, am I not? That's
how plainly obvious this was.
41.
FREUD
But you're asking for the same to
be true of others.
The accusation hangs in the air. Lewis doesn't deny it.
61 INT. THE KILNS KITCHEN - FLASHBACK 61
Lewis, Janie and Warren finish dinner the same night as
Lewis' declaration in Warren's sidecar.
JANIE MOORE
You're not going to be preaching
from some Hyde Park soapbox, I
hope.
LEWIS
Just an observation.
JANIE MOORE
Isn't your conversion suspiciously
un-dramatic? St. Paul was at least
blinded by lightning and knocked
off his horse, wasn't he?
WARREN
Luckily, St. Paul didn't have
Covent Garden traffic behind him.
Lewis gets up to clear his plate.
JANIE MOORE
So, then, what does this minor
miracle mean?
WARREN
A trip to the pub after church on
Sunday!
LEWIS
(smiles at his brother)
Yes, quite... Well it's been a day,
I think I'm going to retire.
JANIE MOORE
To your good book!
LEWIS
Good night.
He walks out leaving Janie fuming.
42.
62 EXT. BACK YARD - NIGHT 62
Lewis steps outside, taking in the night, lighting a
cigarette. Janie comes out after him, interrupting.
JANIE MOORE
You don't get off that easy. What
does it mean for us?
LEWIS
I don't understand.
JANIE MOORE
This is all terribly convenient for
you. You want me on my knees
lighting candles? Embroidering the
Ten Commandments on our pillows?
Lewis meets her eyes. Things are now different.
LEWIS
No need, Janie... We both know
them.
The words sit in the air. He stares at her, can see the
sadness filling her eyes. It's a betrayal. She is shaken.
JANIE MOORE
You coward.
She turns away and rushes back inside. Lewis is left
standing there, reeling. The sound of a phone ringing.
FREUD (O.S.)
Yes, right away. Thank you, Anna.
63 INT. FREUD'S STUDY - CONT. 63
Freud hangs up the phone, turns on the radio.
FREUD
Chamberlain!
CHAMBERLAIN (O.S.)
Up to the very last it would have
been possible to have arranged a
peaceful and honorable settlement
between Germany and Poland, but
Hitler would not have it.
Lewis grows increasingly aggravated.
43.
CHAMBERLAIN (O.S.) (CONT'D)
His actions show convincingly that
there's no chance of expecting this
man will ever give up his practice
of using force to gain his will.
64 INT. INSTITUTE - FACULTY LOUNGE - SAME 64
Anna listens along with staff and students, who crowd the
room to hear the news.
CHAMBERLAIN (V.O. CONT.)
He can only be stopped by force.
Now may God bless you all. May He
defend the right.
Dorothy enters and finds Anna. She goes over to her, can see
her concern. Anna whispers in her ear.
ANNA
The talks broke down.
DOROTHY
God help us.
As Chamberlain concludes, Anna tightly grips Dorothy's hand.
CHAMBERLAIN (V.O., CONT.)
It is the evil things that we shall
be fighting against brute force,
bad faith, injustice, oppression
and persecution.
Dorothy glances at Anna. Chamberlain could be talking about
the two of them.
CHAMBERLAIN (V.O.)
And against them I am certain that
the right will prevail.
The broadcast ends. Anna glances at Dorothy, they walk out.
65 INT. HALLWAY 65
Chaos in the hallway as STUDENTS argue about England's entry
into war. ANNA and DOROTHY move through them.
DOROTHY
Are you alright?
44.
ANNA
I wanted to believe we'd be safe
when we left Vienna.
DOROTHY
We don't know how Hitler will
respond.
ANNA
I do. I've seen the kind of men he
created. They won't stop until they
get everything they want.
(beat)
They didn't with me.
Dorothy knows what she's referring to, doesn't argue.
66 INT. FREUD'S STUDY 66
Freud listens, grim. Lewis is shaken.
BBC ANNOUNCER (V.O.)
You have been listening to a
broadcast from 10 Downing Street-
Freud turns his radio off in disgust, walking away from it,
stopping at the doors to the garden.
FREUD
So it begins.
Freud is distressed, but Lewis appears even more so.
LEWIS
Again.
FREUD
The First War taught me nothing. I
underestimated Hitler.
LEWIS
Everyone did. It's hard to believe
such a hideous man exists.
FREUD
I've found little that is good
about human beings. In my
experience, mankind is earth's
litter. Whether they publicly
subscribe to this or that ethical
doctrine. Something better not to
say aloud. Or even think.
45.
LEWIS
An optimist, are you?
Freud just grunts, not amused.
67 INT. FREUD'S VIENNA APARTMENT FLASH BACK - DAY 67
A social gathering is in progress. Anna, Dorothy, and her
Mother, Martha, move through their guests. In the corner, Dr.
Ernest Jones is in urgent conversation with Freud.
FREUD
It's much too early, Ernest. We
can't make hasty decisions.
DR. ERNEST JONES
Hasty?! The Anschluss is a fact!
We should leave while we can! It's
not just you in danger anymore,
it's your family! The bigger your
reputation, the bigger target you
are for them. Leave the country
now. Tomorrow! Let me help you
before its too late.
FREUD
Where would I go?
DR. ERNEST JONES
Anywhere! I know you hate America-
FREUD
I don't "hate" America. I simply
regret it.
DR. ERNEST JONES
Then come with me to London!
The front doorbell rings, and Martha Freud excuses goes to
answer it. Across the room, Dorothy and Anna watch the men.
ANNA
He'll never leave.
DOROTHY
And you'll never leave him.
ANNA
What about you?
DOROTHY
It's time, I'm afraid, for the
children.
(MORE)
46.
DOROTHY (CONT'D)
Though I have to admit I'm in
agreement with your father. New
York does little for me either.
ANNA
What I wouldn't give to see you on
Madison Avenue in proper society.
The Tiffany scion.
(off Dorothy unamused)
Sorry... Would you come to London?
DOROTHY
Do you really have to ask?
As Martha nears the door it flies open, wood splintering from
the kick it's been given.
A half dozen German Brownshirts enter, weapons in hand.
Guests panic. A man tries to slip out a door to the butler's
pantry but it is blocked by a soldier.
COMMANDER
SIGMUND FREUD!
Anna turns, and Dorothy grabs her arm, holding her back.
DOROTHY
Don't.
Across the room, Freud hesitantly steps forward. Dr. Jones
approaches the Commander.
DR. ERNEST JONES
Sir, I am Dr. Ernest Jones, from
Great Britain. The Chancellor is a
personal friend-
The Commander pushes him aside, spotting Freud.
COMMANDER
Him.
Freud is grabbed by two Brownshirts, who take his arms.
ANNA
No!
DOROTHY
Anna-
Anna breaks free from Dorothy, and rushes over to the
Commander, standing before him.
47.
ANNA
My Father is a very sick man. Take
me instead. I know everything he
does. I will be far more helpful.
The Commander looks Anna over, considering. If she's not good
for information, she might be good for something else.
COMMANDER
Let him go.
To Freud's dismay they release him, grabbing Anna instead.
FREUD
No, Anna, don't be ridiculous!
The Commander scans the guests, enjoying their fear.
COMMANDER
Ladies. Gentlemen. Until we meet
again.
He turns to exit.
FREUD
Wait!
Freud pushes past guests to Anna, hugging her to him.
FREUD (CONT'D)
Mein kind. Why are you doing this?
ANNA
When they take you, it will be too
late.
Arms wrapped around her, he whispers in her ear.
FREUD
If there is no hope.
He slips into her hand the tiny black pill case we saw
earlier. Anna closes her hand around it.
She glances back at Dorothy, and turns and walks out the
front door flanked by the Brownshirts and their Commander.
Freud and Dorothy stand together, watching from the window as
Anna is ushered into a waiting car. Anna looks up, before
disappearing.
Once they are gone, Freud, devastated, turns back inside with
his wife, refusing to acknowledge Dorothy's grief.
48.
68 INT. FREUD'S STUDY CONT 68
Freud looks out the window, a vacant stare.
FREUD
Twelve hours we waited.
LEWIS
Why did they let her go?
Freud shrugs.
FREUD
She was no use to them. Anna is an
innocent.
Lewis stares back at Freud.
FREUD (CONT'D)
When she was released I bribed
everyone necessary to leave the
country immediately. It took near
tragedy for me see Hitler as the
monster he is.
LEWIS
History is filled with monsters.
FREUD
Hitler learns from history. A
warrior's greatest ally is always
God. When Hitler claims crushing
the Jews is "God's work" he raises
an army who worships them both. At
my age, I am grateful I won't live
to see the next Hitler, thank God.
Lewis is surprised. He must have heard incorrectly.
LEWIS
What did you say?
For the first time, Freud is speechless, scowls.
CUT TO:
CHURCH BELLS RING OVER RESTORED FOOTAGE OF OLD VIENNA
49.
69 EXT. SACRED HEART CATHOLIC CHURCH VIENNA - 1863 69
Freud's NANNY, ILSA, pulls the seven-year-old Freud up the
church steps, late.
FREUD (V.O.)
I was raised by a strict Catholic
Nanny who dragged me to church
every Sunday.
70 INT. CHURCH 70
Freud and Ilsa genuflect as people move down the pew,
allowing them to slide in.
PRIEST (O.S.)
In nomine Patris, et Fillii, et
Spiritus Sancti.
FREUD, ILSA, CONGREGATION
AMEN.
THE CHOIR voices and the organ's music fill the church.
TANTUM ERGO HYMN
Veneremur cernui:
Et antiquum documentum
Novo cedat ritui:
Praestet fides supplementum
Sensuum defectui.
Young Freud and Ilsa sing along. As they do, the boy looks
around in wonderment at the church's rich adornment:
Huge marble pillars and archways, with the clouds of Heaven
above and cherubs smiling down on them.
Lovingly carved wood panels frame the enormous stained glass
windows depicting the stations of the cross.
Young Freud focuses on the wall carving of a Saint. Her sad,
knowing eyes seem to stare back into his. She is the same
Saint we saw earlier in the CHURCH used for the BOMB SHELTER.
Ilsa sees him staring.
ILSA
(whispers)
Saint Dymphna.
50.
71 INT. FREUD FAMIY HOME - LATER 71
Freud's father, Jacob, reads from Deuteronomy.
JACOB
(in Hebrew)
For you are crossing the Jordan, to
come to possess the land which the
Lord, your God, is giving you. And
you shall keep to perform all the
statutes and ordinances that I am
setting before you, today.
Jacob kisses the prayer book, then looks up to see Freud
making the sign of the cross. He can't believe his eyes.
JACOB (CONT'D)
(shocked)
Was war das? (What was that?)
72 EXT. FREUD FAMILY HOME MOMENTS LATER 72
The front door opens and Jacob Freud is putting Ilsa out on
the street. Jacob is furious, she equally so. Jacob roughly
hands Ilsa her suitcase.
Ilsa sees Young Freud standing behind his Father. This stops
both their tirades. She leans down to him.
ILSA
You must pray for your Father so he
can go to heaven.
JACOB
There is no heaven!
ILSA
Not for you there isn't!
JACOB
GO! NOW!
She turns, leaving them. Jacob grabs his son by his arm.
JACOB (CONT.) (CONT'D)
DO NOT PRAY FOR ME! EVER! SIGMUND!
DO YOU HEAR ME?
Freud doesn't answer, devastated, as he watches his nanny
walk out of his life.
51.
73 INT. FREUD'S STUDY 73
Freud paces the room.
FREUD
Battling Bibles. Love our neighbors
as ourselves? You heard the radio,
it's a simple minded impossibility.
LEWIS
I disagree-
FREUD
Of course you do! Your faith
collapses otherwise!
Freud grows more and more irate. He takes out his
handkerchief, sometimes raising it to wipe his lips.
FREUD (CONT.) (CONT'D)
Turn the other cheek? Should Poland
turn the other cheek to Hitler?
Should they love their neighbors as
German tanks crush their homes?
His speech becomes slurred, his pain obvious.
FREUD (CONT.) (CONT'D)
Do you think it coincidence that
Jesus demands his followers must be
like children to enter Heaven? It's
because man has never matured
enough to face that he is alone in
the universe and religion makes the
world his nursery! I have two words
for you, GROW UP!
Freud begins to cough into his handkerchief, turning away.
Lewis rises and goes to him.
Freud raises his hand to keep Lewis away. He turns, wiping
his mouth. There is a spot of blood on his handkerchief.
FREUD (CONT'D)
Oral surgery. Then, badly fitting
dentures. I worry constantly I will
sneeze my teeth out. I need my
medicine-
LEWIS
Sit.
Lewis pulls a chair to him.
52.
FREUD
They never fit properly. Anna calls
it "The Monster." I must clean it
and call her to readjust it.
LEWIS
When will your wife be home?
FREUD
No one but Anna touches it.
LEWIS
Not even your doctors?
FREUD
Especially not my doctors!
74 INT. VIENNA HOSPITAL FLASHBACK - THREE YEARS PREVIOUS 74
Out of surgery, Freud is being pushed down the hallway on a
gurney.
FREUD (V.O.)
Endless operations and I should
have learned from the first.
He's still sedated, with a white towel under his chin.
Sounds of the hospital echo as if they are coming from far
away. Unintelligible voices, oddly colored shapes.
ETHER DREAMS:
THE CORRIDOR IS LINED BY TOWERING VERSIONS OF THE GODS FROM
FREUD'S OFFICE, EROTIC, SURREAL.
THE GURNEY PASSES A MARBLE STATUE OF A BEARDED GOD AND A
YOUNG WOMAN COPULATING ON STONY GROUND.
BUT WHEN THE SISTER PUSHES THE GURNEY PAST THEM, THEY ARE
REVEALED AS HUMAN: THE GOD CINYRAS AND HIS DAUGHTER MYRRHA, A
REPLICATION OF THE ILLUSTRATION IN DANTE'S "INFERNO.
DRAWING BACK FROM THEIR KISS WE SEE MYRRAH IS NOT DISSIMILAR
TO ANNA.-
SOUND OF A HIGH PITCHED SCREAM--
75 INT. SMALL RECOVERY ROOM FLASHBACK CONT. 75
C.U. FREUD'S SHUT EYES. With a start, he opens them, then
gapes, horrified--
53.
A SCREAMING, HYDROCEPHALIC DWARF IN A HOSPITAL GOWN,
TERRIFIED, POINTS AT FREUD.
We see that the white towel is soaked through with blood.
Freud tries to speak, but blood pours from his mouth.
The frightened DWARF runs out the door and down the hall.
FREUD (V.O)
He saved me.
76 INT. FREUD'S STUDY CONT 76
C.U. OF THE INCA SUN GOD on a cabinet. Gleaming gold and
crowned, its eyes blank, mouth wide open.
FREUD
He ran for the nurse. If it wasn't
for him I would have died.
Beside the Inca Sun God is a marble reproduction of the
sculpture entitled "CINYRAS and MYRRHA."
FREUD (CONT'D)
I find terrible humor in that. The
eminent intellectual saved by a
brain damaged dwarf. Now, that is a
joke. Can there be a better one?
LEWIS
Maybe not. But if it was a joke,
who do you think made it?
Freud pauses. He has no answer.
FREUD
You might have just made a joke
yourself.
(rises)
Your first.
Just then the phone rings.
FREUD (CONT'D)
(on phone)
Dr. Schur? Where are you?!
77 INT. INSTITUTE LECTURE HALL 77
Anna Freud addresses the packed classroom.
54.
ANNA
Children aren't necessarily afraid,
of war. Instead of running away,
they might run toward it with
primitive excitement. The real
danger isn't that a child might
react with shock. The danger is
that the violence of the world
might meet the violence inside the
child.
Dorothy appears at the door. She puts her hand to her ear,
indicating a phone call.
ANNA (CONT.) (CONT'D)
(immediately)
Let's take a moment.
Anna quickly walks down the aisle.
78 INT. INSTITUTE'S OFFICE 78
Anna enters hurriedly, the Secretary holding the phone hands
it to her.
ANNA
(into phone)
Father? What is it?
79 INT. FREUD'S STUDY 79
Lewis watches Freud on the phone, who is irate.
FREUD
(on phone)
Dr. Schur is not coming! He blames
the traffic, he can't get into
town. He will call my prescription
into a chemist.
ANNA'S VOICE ON PHONE
Do you want me to come home-
FREUD
(on phone)
Of course! Why else would I call?!
ANNA'S VOICE ON PHONE
It's just before you didn't-
55.
FREUD
(on phone)
I AM IN TERRIBLE PAIN!
(off Lewis, in German)
DENK DOCH EINMAL AN MICH UND NICHT
IMMER NUR AN SIE! (THINK OF ME FOR
ONCE! NOT ALWAYS HER!)
80 INT. INSTITUTE OFFICE - SAME 80
Anna is cowed, a vulnerable child again.
ANNA
(on phone)
Ja, Vater.
FREUD'S VOICE ON PHONE
Finde einen chemiker! (Find a
chemist!)
ANNA winces at the sound of the phone being banged down in
her ear. She looks up, very embarrassed.
ANNA
There is an emergency. Could
someone dismiss my class?
SECRETARY
Of course, Miss Freud.
Dr. Berbridge enters and hears this, very angry.
DR. BERBRIDGE
Out of five scheduled lectures in
the last two weeks you've cancelled
two and today you're leaving
halfway through your third!
ANNA
It's unavoidable. My Father is in
great pain and he needs me.
DR. BERBRIDGE
As do we. Now more than ever. You
must have domestics who can assist
him. Surely you can bring in a
Nurse?!
ANNA
He doesn't want that.
56.
DR. BERBRIDGE
With all respect, does your Father
always get everything he wants?!
ANNA
Doctor, you, as much as anyone,
know the importance of my Father's
work. Beside his creating your
Occupation, and mine. So, yes, he
gets anything he wants.
DR. BERBRIDGE
Including your life?!
ANNA
If you have a problem-
DR. BERBRIDGE
I think the problem is yours. It's
called an Attachment Disorder.
Idolizing ones parents past
adolescence isn't a virtue, it's a
compulsion!
CLOSE on ANNA'S face as she fights to remain unemotional.
DOROTHY (O.S.)
That's quite enough, doctor. Anna,
are you alright?
Anna, shamed, immediately exits.
81 INT. FREUD'S STUDY 81
Freud, still by the phone, settles himself. Lewis turns away,
uncomfortable. He looks over at the many photos in the room,
can't help but notice one of himself, surprised and
flattered. It rests beside a photo of Anna lecturing.
LEWIS
Your Daughter teaches?
FREUD
She also has a private
psychoanalytical practice for
children. I feared that by
following in my footsteps she might
leave no mark of her own. But Anna
is dedicated to the science.
Lewis puts the photo back.
57.
LEWIS
And to you, it seems.
Lewis looks around him.
LEWIS (CONT'D)
Do you have a photograph of your
wife?
FREUD
Of course.
(pause)
In the parlor.
Freud is irritated at Lewis' personal questions.
FREUD (CONT'D)
Are you married?
LEWIS
No.
FREUD
Do you live with anyone? A woman?
A man?
LEWIS
Pardon?
FREUD
Does homosexuality offend you? It
should not. Homosexuality is
neurotic but not immoral.
LEWIS
Why so?
FREUD
Moral sense in man is produced by
fear, begun with the castration
complex.
LEWIS
(amused)
So, women have nothing to fear?
FREUD
Exactly. Which is why they are so
dangerous.
(off his look)
Women are born amoral and
conniving. With no fear of
castration, these impulses cannot
be countered.
58.
LEWIS
(skeptical)
Then how are they "countered"?
FREUD
By traditional relationships with
their Husbands, and Fathers.
Lewis can hardly comprehend what he is hearing, stares at the
old man.
LEWIS
But you've been one of the most
supportive voices for women in your
own field? You are a walking
contradiction.
FREUD
I am human. Inherently flawed.
Damaged, and no doubt damaging to
others.
82 INT. SCHOOL COATROOM - CONTINUOUS 82
Anna enters the large coatroom, closes the door behind her,
taking a moment of refuge. She hugs her coat tightly in the
dark, steadying herself, just trying to breathe. She closes
her eyes.
VOICE (V.O.)
Tell me your family's secrets...
83 INT. GESTAPO HEADQUARTERS - FLASHBACK 83
Anna sits on the floor of a cold, dark, wet cell. She's
shivering, and has been there for hours.
She closes her eyes, hugging her knees closer to her chest.
She looks down at the pillbox that her father gave her,
staring at it.
Her eyes widen in fear when a door opens and she hears
footsteps approach her cell.
SOUND: BANGING ON THE DOOR
84 INT. SCHOOL COATROOM - CONT. 84
Dorothy opens the door and finds Anna, shaken.
59.
DOROTHY
Anna? Are you alright?
ANNA
(gathers herself)
It's nothing.
DOROTHY
You're frightened. Tell me.
Anna grabs her coat and tries to play it off.
ANNA
I'm just worried about my Father. I
have to find a chemist.
DOROTHY
Is your Mother-
ANNA
She's away. He has no one.
DOROTHY
There must be someone-
ANNA
Me!
Dorothy is taken aback by the force of her desperation.
85 INT. CORRIDOR - CONTINUOUS 85
Anna pulls her coat on, heading toward the school's entrance
with Dorothy in tow.
DOROTHY
Chemists are closing early like
every other business. Let's make
some calls first.
ANNA
I'll find one on the way home.
Dorothy takes her own coat.
DOROTHY
Then we'll go together.
ANNA
Absolutely not!
60.
DOROTHY
I've waited for you my entire life,
I'm not going to lose you now.
ANNA
I'll be perfectly safe and you have
classes.
DOROTHY
Anna! Enough! Please.
Anna stops.
DOROTHY (CONT'D)
Don't we have more now to be afraid
of?
She stares at Dorothy, unable to answer.
86 EXT. INSTITUTE - CONT. 86
Dorothy follows her out to the street. Loud traffic, packed
sidewalks, the city electrified with the anticipation of war.
DOROTHY
Berbridge isn't wrong, you know.
If any patient of yours showed this
kind of codependency you'd diagnose
them with an attachment disorder.
ANNA
This is my duty, why can't you see
that?
DOROTHY
Duty is not the same thing as
cringing servitude.
ANNA
HE IS MY FATHER!
DOROTHY
And what else? Is that all?!
Anna, is stung.
ANNA
How dare you.
Anna hurries down the steps alone and joins the crowd on the
sidewalk. Dorothy watches her go.
61.
87 INT. FREUD'S STUDY 87
Freud lights a cigar. Lewis watches astonished.
LEWIS
Doesn't smoking aggravate your
mouth?
FREUD
Of course. But I am determined to
revel in my only sexual pleasure
left. I've bid farewell to my
phallic and anal stages and
regressed to my oral.
Lewis looks at his watch.
LEWIS
Extraordinary. We've been talking
this long and this is the first
mention of sex.
FREUD
Your definition is too narrow. I
apply the term "sexual" to all
interactions that bring pleasurable
feelings. Genital contact, an
infant sucking at its mother's
breast, my cigar. Sexuality is the
font of all happiness.
LEWIS
There's much more to happiness than
that. Sex is only one of many God
given pleasures and not the most
lasting.
Freud looks at his watch.
FREUD
Extraordinary. It took you less
than a minute to bring god into
sex. Still, despite church
propaganda, we have made great
progress overcoming our
repressions.
LEWIS
Progress? We've gone from sex being
the subject never spoken of to our
being unable to talk about anything
else. It's as if we invented it.
62.
FREUD
Psychoanalysis is inherently
sexual. And we hardly-
LEWIS
Oh yes. We infantilize it, turning
it into the lie that sex under any
circumstances is normal and
healthy. There is a sexual code
running through the Old and New
Testaments. Sex is to be shared by
two people who are committed to
each other-
Freud turns on Lewis.
FREUD
Your Bible is a bestiary of
sexuality! You handpick verses to
support your own bias! "No sex
before marriage'. It's not only
naïve, it's mindless cruelty. Like
sending a young man to perform his
first concerto with an orchestra
when the only time he's ever played
his piccolo was alone in his room!
Lewis can't help but laugh.
LEWIS
I'd think needing to depend on men
would cause women to give up sex
completely. Especially since you
say homosexuality isn't immoral.
Freud is getting more and more agitated.
FREUD
Lesbianism is a much different
matter.
LEWIS
How so?
FREUD
Unchecked, lesbians become
progressively more and more
unstable.
LEWIS
But not homosexuals?
63.
FREUD
No! Their conditions have very
different sources.
LEWIS
I don't understand. What's the
source of a woman's lesbianism?
FREUD
Her Father!
Freud stops himself, Lewis is taken aback by his vehemence.
The old man settles, trying to compose himself, trying to put
the focus back on Lewis
FREUD (CONT'D)
And what of your Father?
Lewis takes a beat, isn't certain he wants to continue.
FREUD (CONT'D)
It's too late to turn back now.
LEWIS
(guarded)
My Father and I made our peace
before he died. He was a good man.
What he could't afford emotionally
he made up for financially,
supporting my life's work... I
live with my brother.
Freud senses he is hiding something.
FREUD
Just your brother?
LEWIS
It's complicated.
FREUD
It usually is.
LEWIS
I told you I was in the war.
Lewis hesitates. Freud leans back.
FREUD
No, you showed me you were in the
war... Always back to the war...
CUT TO:
64.
88 EXT. THE SOMME, FRANCE - NIGHT 88
A YOUNG LEWIS, 19, already war-worn, and his friend PADDY
MOORE, 20, march towards the front.
The night sky lights up before them in bursts of artillery.
It is loud and foreboding.
PADDY MOORE
You alright, mate?
Lewis just stares out, he is anything but alright.
89 EXT. TRENCH - NIGHT 89
Rainwater has filled the trench they are crouched in,
huddling under their coats. They listen to the rifle fire.
Clusters of bombs exploding, screams from down the line.
Paddy pulls out a photo, stares at it.
PADDY MOORE
I suppose I should have some
starlet's pic. Just me mum.
LEWIS
If I still had a mum I'm sure I'd
do the same.
PADDY MOORE
JESUS!
He jumps aside, a small army of rats run over his shoes, past
Lewis.
LEWIS
There goes dinner.
They both laugh, despite the misery.
PADDY MOORE
Lewis? Make me a promise. If
something happens to me, take care
of my Mother. And if anything
happens to you I'll do the same for
your Father.
Lewis just nods, a pact.
65.
90 INT. FREUD'S STUDY 90
Freud continues to question Lewis, who is determined to get
away from the subject.
FREUD
How much of that night do you
remember?
LEWIS
(dismissive)
Little to none... It was chaos
from the outset...
Lewis instinctively looks at the door, then forces himself to
steady and look back at Freud, who is waiting patiently.
Lewis is not getting out of this.
LEWIS (CONT'D)
It was my last time going over the
bags... Paddy and I made it into
no man's land...
THE COMMANDER'S WHISTLE SOUNDS
91 EXT. NO MAN'S LAND - CONT. 91
Smoke and fog fill the battlefield. Artillery and gun fire
sound out but Lewis and Paddy are lost in the haze, racing
forward.
Lewis and Paddy leap forward into a ditch from a mortar
blast. LEWIS is breathing heavily.
They crouch low, pinned down. Before Lewis are remnants of
the roots from a tree once there.
Lewis touches the roots- and for a brief moment he is back in
his Fantasy Forest.
STILLNESS AND SILENCE
A baby deer approaches Lewis timidly. He smiles.
Coming closer, the fawn looks up to him with her huge,
trusting eyes -
THEN JOLTED BACK to reality by a mortar blast and Lewis falls
backwards-
PADDY MOORE (V.O.
Jack! You all right?!
66.
Lewis nods, trying to catch his breath. The volume of the
gunfire is deafening. Gunpowder floats in the air.
PADDY MOORE (CONT'D)
(shouting to be heard)
They've got all of Berlin over
there! We can't stay here!
Lewis, covered now in mud, wipes his eyes, raises up and
begins firing. He looks over to Paddy when--
A DIRECT HIT BY A MORTAR SHELL.
Lewis reels, in shock, ears ringing, he looks around him
frantically only to find Paddy lying dead. Lewis forces
himself to take his personals, including the photo of Paddy's
mother. He looks back at his friend a last time and turns to
run -
ANOTHER EXPLOSION
This one sends Lewis sliding, falling down into a cave
beneath no man's land.
He lands hard, jammed against a wall, surrounded by dead
bodies, claustrophobic, still gripping the photo.
BLACKOUT.
92 INT. ENDLEIGH PALACE HOSPITAL LATER 92
Lewis lays in a hospital bed, his chest bandaged. Wounded
patients lie in beds down a long hallway, understaffed.
Lewis just stares at the ceiling in pain and exhaustion.
JANIE MOORE (O.S.)
I was going to take you out dancing-
He looks up to see Janie Moore, Paddy's Mother, standing
there holding a covered basket.
JANIE MOORE (CONT'D)
But you'll have to settle for a
picnic here instead.
For the first time in forever Lewis smiles.
LEWIS
Mrs. Moore?
(off her nod)
I'm so sorry...
She can't hold his gaze.
67.
LATER
Janie helps Lewis steady a teacup he sips from. Finished, she
puts it onto a tray and hands Lewis a cookie. He takes a bite
and is transported.
LEWIS (CONT'D)
These taste like they were made
with actual butter.
JANIE MOORE
They were! Our neighbors take
trading ration coupons as seriously
as if they were Lloyd's of London.
LEWIS
In the field we ate Maconachie for
breakfast, Lunch and dinner.
JANIE MOORE
"Maconachie"?
LEWIS
Ground up fat pretending to be
rancid meat. Cold, it's inedible.
Hot, it's near fatal.
Both smile.
LEWIS (CONT'D)
I can't tell you how much your
visit means to me.
JANIE MOORE
It's nothing. The letters you wrote
me after Paddy's death keep me
close to him.
Lewis reaches for something. It is the photo from Paddy.
LEWIS
He carried this with him.
She holds it, pauses to collect herself.
JANIE MOORE
You keep it.
(forces a smile)
Now Jack, we need to talk about
something quite serious. You told
me the promise you and Paddy made
with each other.
(MORE)
68.
JANIE MOORE (CONT'D)
It's a lovely gesture, but I don't
need anyone being my `guardian
angel'. I might look ancient to
you-
LEWIS
Of course not.
JANIE MOORE
The right reply. Not to mention
that I don't believe in angels, or
depending on anyone but myself.
LEWIS
So let's not look at it as a
"Guardianship." Let's call it a
friendship.
Janie considers this, and slowly smiles.
JANIE MOORE
Agreed.
She takes his fingers poking out of the cast to shake on it,
and they both laugh. There is an immediate, surprising
chemistry.
JANIE MOORE (CONT'D) (CONT'D)
A very special friendship.
93 INT. FREUD'S STUDY 93
Freud stares at Lewis, surprised. Almost impressed.
FREUD
Your friend's Mother?
LEWIS
I made a promise.
FREUD
How long have you had this
relationship?
LEWIS
I wouldn't call it a
"relationship".
FREUD
Any bond between two people is a
relationship. How old was she?
69.
LEWIS
Mrs. Moore was in her early
forties.
FREUD
Does "Mrs. Moore" have a first
name?
LEWIS
(reluctantly)
Janie.
FREUD
"Janie." Did you think Janie an
attractive woman when you met?
LEWIS
She was the Mother of my friend.
FREUD
Which might make her more
attractive. Many men who lose
their mothers at an early age are
drawn to mature women.
LEWIS
I resent your implication, and my
personal life is not your concern.
FREUD
Your conversion is. You lived with
her in your days as an atheist, so
I would like to know whether your
conversion or battle trauma caused
a newfound virginity.
LEWIS
I won't discuss this further. My
private life is precisely that.
FREUD
As you wish. But I always consider
what people tell me less important
than what they cannot.
The doorbell rings. Lewis looks relieved.
94 INT. FREUD'S HOME 94
Lewis opens the door to the visitor and greets him.
LEWIS
Hello. Can I help you?
70.
DR. ERNEST JONES
No one can today, I'm afraid. Is
Miss Freud in?
LEWIS
I'm afraid not, she's-
Freud appears behind him.
FREUD
Ernest!
The two doctors embrace, then Dr. Jones turns to Lewis,
introducing himself.
JONES
Ernest Jones.
LEWIS
C.S. Lewis. A pleasure.
(turns to Freud)
I should leave you to your Doctor.
FREUD
Dr. Jones is not my physician.
JONES
Better than a Doctor, a friend.
Jofi enters the hallway and barks.
FREUD
Jofi! You remember Dr. Jones!
JONES
I just stopped by for a moment. I
didn't know you had company.
LEWIS
I think I'll take a stroll around
the block for some air.
FREUD
Excellent idea.
Freud looks from Lewis to Jofi.
95 EXT. FREUD'S FRONT DOOR MOMENTS LATER 95
Resigned, Lewis leaves through the front door with Jofi on a
leash. He looks out to see the fall day already darkening.
71.
96 INT. FREUD'S PARLOR 96
Freud and Jones enter the parlor. Conventionally decorated,
its furnishings are clearly not Freud's choices.
JONES
Your color is better.
FREUD
Your eyes are worse. I hope you're
not here to pack me off to another
country? It's too late for that.
JONES
(smiling)
I'll return our tickets to Iceland.
They sit. Jones seems less confident now.
JONES (CONT'D)
You've met my Sister, Rosalyn.
FREUD
Stutterer.
JONES
Overcome. She and her family live
in Northumberland. No place to
bomb, more sheep than people. But
I'm told they're assembling a first
rate psychoanalytic facility in
Bury. A teaching hospital.
FREUD
You don't really expect me to move
in my condition?
JONES
No. Of course not... I was thinking
of Anna.
Jones looks for a reaction, Freud remains still.
JONES (CONT'D)
They'd love to have her, of course,
and it would be a winning
proposition for both of them.
FREUD
Because she'd be safer there?
JONES
That's one reason, yes.
72.
FREUD
And the other?
JONES
They've asked me to join the
faculty.
Jones braces himself for Freud's reaction.
97 EXT. LONDON STREET APOTHECARY SHOP - CONT. 97
Anna sees the sign "CLOSED" but nonetheless tries the door.
Definitely locked. Determined to find another, she walks
briskly, then runs toward a stopping trolleybus.
An anxious crowd is boarding. The Operator stops the line at
the man and woman before her.
OPERATOR
Sorry. We're full up.
ANNA
Sir, please, I need to get home.
The operator cocks his head toward the standing room only
passengers behind him.
OPERATOR
Same as everybody else. Step away,
please.
Anna does, but persists.
ANNA
My Father is having a medical
crisis. He needs help, immediately.
OPERATOR
I'm sorry, miss.
ANNA
(playing last card)
My Father is Dr. Sigmund Freud!
Clearly, the operator knows who Freud is.
OPERATOR
The Sex Doc? Good luck to both of
you.
The operator shuts the door, pulling away.
73.
98 INT. FREUD'S PARLOR 98
Freud's mood is darkening.
FREUD
Help me, I am confused. Are you
seeking a professional relationship
with Anna or a personal one?
JONES
Actually...that would be Anna's
choice, don't you think?
Freud's stare levels Jones.
FREUD
Do you, Ernest?
99 EXT. LONDON STREET 99
Anna tries another Chemist's door despite the "CLOSED" sign.
She peers in and sees no one. About to leave, she stops and
looks up to the apartment over the store.
ANNA
IS ANYONE HOME? HELLO! I NEED
HELP!
Anna looks around for something to toss at the window.
Finding nothing she takes off her shoe and throws it.
CHEMIST (O.S.)
Throw `em both! My wife loves
shoes.
Anna looks up to see an Old Man leaning out the window.
ANNA
Are you the chemist? I need a
prescription filled. It's an
emergency and I -
The Chemist makes a sign of dismissal and vanishes from the
window. Anna looks around her, frustrated. Where can she go
now? The Chemist's door opens.
CHEMIST
I do a good deed once a war. Who's
your Doctor?
74.
100 INT. FREUD'S PARLOR - CONTINUOUS 100
Dr. Jones watches as Freud rises, looking out the window.
FREUD
Has Anna ever given you any
indication she would be interested
in a relationship?
JONES
No, but... I've spent little time
with her, socially. She has many
responsibilities, I understand-
FREUD
Or perhaps she is disinterested.
JONES
I think she could only benefit by a
wider circle of professional and
personal acquaintances.
FREUD
Beside myself.
JONES
(reddens)
I didn't mean to infer-
FREUD
Of course not.
JONES
Perhaps we could talk again after
you've had some time to think.
FREUD
Not necessary.
JONES
(hopeful)
I can speak with her, then?
FREUD
No.
JONES
Can I ask why?
FREUD
Anna and I have an understanding
that she will not consider any
relationship until we both feel it
is suitable.
(MORE)
75.
FREUD (CONT'D)
You are twenty years older than
her. Anna is still a girl, she is
too young to even experience sexual
longing.
JONES
(stunned)
Do you even hear yourself? Anna
spent years in psychoanalytical
treatment for a masturbation
complex, which proves she is
capable of sexual longing. A
complex that most often stems from
her unhealthy paternal attachment.
Not that you need concern yourself,
doctor. Primum non nocere. I'm
sure you remember that.
Freud glares at Jones, knows he's right.
101 EXT. STREET - CONT. 101
Anna is in a cab.
ANNA
Hurry, please.
The cab picks up speed, Anna sinks back in her seat.
102 INT. FREUD APARTMENT, VIENNA - FLASHBACK 102
Anna waits nervously as the door to her father's study opens.
Out walks Dorothy, looking a little frazzled.
Anna follows her, sees their Viennese housekeeper watching.
DOROTHY
Don't.
ANNA
What could I possibly ask?
DOROTHY
My therapy session are mine alone.
Find your own therapist.
ANNA
I just might... You do look like a
bit flushed. I wonder what you
could have talked about that would
have caused that.
76.
DOROTHY
Wouldn't you like to know.
Dorothy gives her a sideways glance. Anna suppresses a grin
as she follows her out into the hallway and closes the door.
103 INT. STAIRWELL - CONTINUOUS 103
Dorothy walks up the stairs. Anna follows.
ANNA
It must be very convenient to live
upstairs from your analyst.
DOROTHY
I could say the same of you having
me so close.
ANNA
I do find it very convenient. But
I wonder what you could have
possibly discussed that has aroused
such a physical response.
DOROTHY
Wouldn't you like to know.
(off Anna)
Everything to do with you and
nothing at all.
ANNA
So then he knows?
They come to Dorothy's door. She takes a beat, turns back to
Anna, takes her hands.
DOROTHY
He knows.
Anna swallows hard. Dorothy opens her door to see her two
small children. Anna smiles to herself, follows Dorothy
inside as the children rush to hug her, and the door shuts.
104 INT. TAXI - SAME 104
Anna stares out the window of the taxi, closes her eyes,
remembering.
77.
105 INT. A DARK ROOM - FLASHBACK 105
Anna is stretched out on a couch in a dark room. There's pain
and pleasure in her telling.
ANNA
(low, aroused)
It's the same fantasy I always
have. We're on horseback. His
family hates mine, he's avenging
them. I can't escape. He's coming
closer, closer- Then he kisses me.
Everywhere I'm bleeding. His face
to mine, his lips near my lips, red
and dripping. He whispers - "Tell
me your family's secrets."
CUT TO:
106 EXT. LONDON STREET 106
Lewis and Jofi proceed down the block, passing shops and
residences, where citizens prepare for war, taping glass,
blacking out windows, while soldiers place sandbags.
TWO TEEN NEWSPAPER VENDORS out shout one another with
headlines: "WE'RE AT WAR", the other, "WAR DECLARED"
But Lewis sees none of this. He sees only the past.
107 INT. THE KILNS - AFTER DINNER - FLASHBACK 107
Janie and Lewis do dishes. She washes, he dries.
LEWIS
We should invite the Tolkeins for
dinner during school break.
JANIE MOORE
You see him at your meetings, don't
you?
LEWIS
Yes, but not Edith.
JANIE MOORE
That's fine with me.
LEWIS
I thought you liked Edith?
78.
JANIE MOORE
More than she likes me. She
doesn't approve of our living
together, you know how Catholics
are.
LEWIS
As far as she's concerned you're my
land lady.
(off Janie, stung)
She's never said a word about it.
JANIE MOORE
She doesn't have to. She converted
for him, Jack!
LEWIS
I know-
JANIE MOORE
I won't do it!
LEWIS
I'd never ask you to!
JANIE MOORE
And I won't sit around the table,
holding hands with the three of you
and thanking God for the meal I
made!
Janie storms out of the room, Lewis follows her.
LEWIS
Janie!
108 INT. KILNS - SECOND FLOOR 108
Janie rushes into her bedroom, tries to slam the door closed,
but Lewis pushes it open.
JANIE MOORE
I don't know who you are.
LEWIS
You do.
JANIE MOORE
You're not the same person! I can't
live this way any longer. I'm
leaving. I have to.
79.
LEWIS
You don't.
JANIE MOORE
Forget the promise you made with
Paddy. I absolve you, Jack! Does
absolution make you feel holy?
LEWIS
Let's sit down and talk.
JANIE MOORE
Where are my bags?
LEWIS
In the attic, but-
JANIE MOORE
I'll fetch them myself.
JANIE exits. A beat later, she returns.
JANIE MOORE (CONT'D)
You didn't stop me. You'd let me
go, wouldn't you?
She starts to cry, LEWIS goes to her, holds her. She looks up
to him.
JANIE MOORE (CONT'D)
Am I a sin? Is that what I am to
you?
Desperate, she tries to kiss him. He pulls back.
LEWIS
No!
They look at each other, both in pain.
LEWIS (CONT.) (CONT'D)
I can't.
SOUND OF BARKING
109 EXT. BOOK SHOP 109
Lewis, still walking Jofi, notices one of Freud's books
displayed in the window along with a photo of FREUD,
announcing a local lecture, which has been postponed.
LEWIS
He's inescapable.
80.
Lewis looks down at Jofi, who relieves himself beneath the
window.
110 INT. FREUD'S STUDY 110
SOUND of door closing, Jones has left.
Freud enters, approaches the windows overlooking his garden
and stares out, thinking, remembering.
111 EXT. VIENNA GARDEN FLASHBACK 111
Freud watches his 4 year old grandson, Heinele, being chased
by Anna, as he and his other daughter Sophie call
encouragement.
SOPHIE
Hurry Heinle! She's going to catch
you! Hurry!
ANNA
(laughing)
Sophie! He's too fast for me!
Sophie is beautiful and we see Freud's eyes fill with joy at
the sight of her with her son.
Anna catches Heinele, both laughing. She allows him to "break
free" and run from her and into the arms of Sophie, coming
for him. They hug Heinele ferociously.
For that moment, FREUD has found "Joy"
112 INT. FREUD'S STUDY THE PRESENT 112
Freud turns away from the garden, caught between worlds for a
moment. He hears the front door open, then shut. Lewis
enters, taking off Jofi's leash.
FREUD
Jofi has finished walking you?
LEWIS
He recognized your book in the
window where you were to speak.
FREUD
Postponed... Indefinitely.
Lewis picks up the dog and puts him in Freud's lap.
81.
FREUD (CONT'D)
Don't -
But it's too late. Jofi barks, jumps off Freud's lap as if
electrocuted and runs from the room. Lewis is surprised.
LEWIS
I'm sorry, I thought-
Freud, flustered and embarrassed, hesitates, then decides to
tell him the truth.
FREUD
I have oral cancer. These are not
badly fitting dentures, it is a
prosthesis. It seals off the roof
of my mouth from the nasal cavity.
The smell is clearly hideous.
LEWIS
I don't smell it.
FREUD
You're being kind. Jofi didn't run
from you, he ran from me. The smell
of decaying flesh.
Of course, Lewis smells it now, whether it's imaginary or
not.
FREUD (CONT) (CONT'D)
Jofi is no longer this "man's best
friend."
Freud picks up a small statue from his desk.
FREUD (CONT) (CONT'D)
Do you know the Greek God, Momus?
LEWIS
No.
FREUD
He chastised the Gods for their
absurdity in creating man and was
banished to earth to live with
them.
LEWIS
Familiar theme.
FREUD
Momus is the God of Irony.
82.
Lewis rises, indicating Freud's desk littered with deities.
LEWIS
Such as this?
(off Freud)
What would you call a confirmed
Nonbeliever whose desk is guarded
by gods and goddesses?
FREUD
A collector. I am simply interested
in ancient belief systems, yours
included.
LEWIS
All sharing similar concepts. Right
and wrong, good and evil. And a
choice between them.
FREUD
And if good is to be chosen, then
your God who created it also
created evil. Allowed Lucifer to
live, to flourish, even when he
logically should have been
destroyed.
Freud raises a handkerchief to his mouth, dabbing at it.
LEWIS
God gave Lucifer free will, which
is the only thing that makes
goodness possible. A world filled
with choice-less creatures is a
world of machines. It's men, not
God, who created prisons, slavery,
bombs. Man's suffering is the fault
of man.
FREUD
Is that your excuse for pain and
suffering? Did I bring about my
own cancer? Or is killing me God's
revenge?
Lewis hesitates.
LEWIS
I don't know.
Freud is taken aback.
FREUD
You "don't know?!"
83.
LEWIS
And I don't pretend to. It's the
most difficult question of all,
isn't it? If God is good, He would
make His creatures perfectly happy.
But we aren't. So God lacks
goodness, or power, or both.
Freud pauses, at a loss.
FREUD
Finally. We are making progress.
More irritated, he takes out his handkerchief and adjusts his
prosthesis.
LEWIS
What if God wants to perfect us
through suffering? Make us realize
that real happiness, eternal
happiness, can only come through
him? If pleasure is his whisper,
pain is his megaphone.
Freud, growing more frustrated, paces around Lewis.
FREUD
I'm sure Hitler, the little altar
boy who served at Church every
Sunday, would agree with you. But I
cannot.
(dismissive)
We speak different languages. You
believe in revelation. I believe in
science, the authority of reason.
There is no common ground.
LEWIS
There is also the dictatorship of
pride. Why does religion make room
for science but science refuses to
make room for religion?
FREUD
How roomy was Galileo's cell when
he first told the Pope the sun did
not move around the earth?
LEWIS
The stupidity of church leaders is
too easy a target.
84.
FREUD
They hide behind their ignorance!
How can we understand? We are
small, he is mighty!
Freud bears down on Lewis.
FREUD (CONT.) (CONT'D)
My Daughter Sophie died of Spanish
Flu at Twenty-Seven! A Wife, a
Mother! Tuberculosis killed my
Grandson at five years old!
Freud, furious, is now in Lewis' face.
FREUD (CONT.) (CONT'D)
FIVE! What a brilliant plan of
God's to murder him! I wish cancer
had attacked my brain, instead.
Then, perhaps, I could hallucinate
there is a God and seek vengeance.
Incensed, Freud turns away, walking to the window looking out
at the street.
LEWIS
How advanced is your cancer?
FREUD
(pause)
It's nearly eaten through my cheek.
Inoperable. It's only a matter of
time.
LEWIS
How much time?
FREUD
That is for me to decide. Dr.
Schur and I have a pact.
(off Lewis)
Don't look at me that way. You
don't have to say it. "Suicide is
wrong, and a sin!"
LEWIS
It is.
FREUD
THEN LOOK INTO MY MOUTH AND YOU
WILL SEE HELL HAS ARRIVED ALREADY!
Lewis doesn't let up.
85.
LEWIS
Have you told your wife?
FREUD
There's no point. My wife shares
your superstitions.
LEWIS
And Anna?
FREUD
That I am dying? Of course.
LEWIS
That you plan to kill yourself?
FREUD
Why would I tell her? It would only
bring her pain.
LEWIS
You're protecting her? Or are you
afraid she'd try to talk you out of
it?
FREUD
(contemptuous)
You are quite persistent. It is the
most common trait of converts. And
reformed alcoholics.
Freud reaches into the box on his desk.
FREUD (CONT'D)
Cigar?
Off Lewis' incredulity -
FREUD (CONT'D)
Is there anything else, Doctor?
LEWIS
(stung)
Yes, actually.
SOUND OF HORNS HONKING,
113 EXT. LONDON STREET - CONT. 113
Anna's cab brakes hard. They are caught in what looks like
endless traffic.
86.
LEWIS (V.O.)
Is Anna married?
Anna gets out of the cab, walking, half running down the
crowded sidewalk.
FREUD (V.O.)
No.
114 INT. FREUD'S STUDY- CONT. 114
Lewis, hesitates, then takes down a framed photograph from
the shelf - our view of it is blocked.
LEWIS
I'm surprised.
Freud waits to respond. Where is this going?
FREUD
It's not a simple task for us to
choose the right mate.
LEWIS
You mean, for Anna to choose.
FREUD
Of course.
LEWIS
Dr. Jones today.
FREUD
And what of him?
Lewis looks at him - exactly.
LEWIS
He asked to see Anna, not you.
Lewis stares at the photo of Anna walking across a lawn with
Freud, arms linked, brightly smiling. It has an intimate
look, easily mistaken for a Young Woman and her Suitor. He
places the photo on Freud's desk before him.
LEWIS (CONT'D)
But, then, why would she need a
mate? She has all the stimulation
she needs.
Freud controls his response.
87.
FREUD
Do you have a question?
LEWIS
Is she seeing someone? Man? Woman?
Or both, since we're intrinsically
bisexual.
FREUD
With her teaching and her practice,
Anna has no time.
LEWIS
Except for you. You're very
fortunate. Especially considering
that she's the only person you
permit to touch your mouth.
FREUD
Anna is a professional.
LEWIS
A physician?
FREUD
No. I told you. Anna is a member of
the Psychoanalytic Society.
LEWIS
Don't members need to be Doctors?
FREUD
There are exceptions.
115 EXT. LONDON STREET 115
Anna begins to run. There is a desperation about her now.
She's not just running, but running from something.
ANNA (V.O.)
He takes my hand-
116 INT. ROOM - FLASHBACK CONT. 116
Anna, on a couch, slides her hand down her side, then reaches
under her dress.
ANNA
He makes me touch him. There. And
there.
88.
117 INT. FREUD'S STUDY 117
FREUD
Anna presented a paper that was
very well received.
LEWIS
It must have been. What was the
subject?
FREUD
(pause)
Sadomasochistic fantasies.
Lewis looks up surprised.
118 EXT. LONDON STREET 118
Anna keeps running, despite the tears starting to flow.
119 INT. OFFICE - FLASHBACK CONT. 119
Anna, excited, reaches the culmination of her dream.
ANNA
But, I escape...
LEWIS (V.O.)
These fantasies-
120 INT. FREUD'S STUDY 120
Lewis looks concerned, what lines has the old man crossed.
LEWIS
Were they based on her patient's
treatments?
FREUD
Based on her own analysis.
LEWIS
And who was her Analyst?
No response. Freud looks away.
LEWIS (CONT'D)
I asked who was her analyst?!
FREUD
I WAS!
89.
121 INT. STUDY - FLASHBACK CONT. 121
Anna continues on the couch. Only now we begin to recognize
the surrounding, some of the statuary in the background.
ANNA
(frightened)
The Knight takes the boy in his
arms-
A hand grabs her arm. It's her Father.
FREUD
NO MORE!! No more, Knights! No more
Boys!
Anna's frightened. Freud stares at her with contempt.
FREUD (CONT'D)
I am not your Knight! And you are
not this boy! You are a girl! MY
DAUGHTER!
He pauses. Collects himself.
FREUD (CONT'D)
My Daughter.
Freud is shaken.
FREUD (CONT'D)
Anna, this is a mistake. It has led
only to pain, for both of us. I
can't do this for you anymore.
Freud starts to stand, but Anna grabs his arm.
ANNA
You would send me to someone
lesser?! Who knows only what you
taught them!
Distraught, she falls to her knees before him.
ANNA (CONT'D)
I need you! Please, Father! Don't
leave me!
Overwhelmed, Anna takes his hands, puts her cheek to them.
Freud looks down at his daughter, torn. And for the first
time, helpless.
90.
122 INT. FREUD'S STUDY 122
FREUD (CONT.)
Do you have any more questions?
LEWIS
Oh yes. But I won't presume to ask
them. I will only remind you of
your earlier observations.
Psychoanalysis is inherently
sexual. And what people say is
less important than what they
cannot.
FREUD'S ANSWER is to turn on the RADIO.
SOUND OF BBC ORCHESTRA PLAYING, Freud turns it off.
LEWIS (CONT'D)
You do that every time.
FREUD
We're waiting for news.
LEWIS
Then why not just turn the music
down? Why off?
FREUD
I object to being manipulated. To
me, it's all church music.
LEWIS
My objection to church music is
that it trivializes emotions I
already feel. I think you're afraid
to feel them at all.
Freud glares at him offended.
FREUD
Is that your diagnosis? Doctor?
LEWIS
Not all of it.
Lewis comes closer to Freud.
LEWIS (CONT'D)
I also think you're terribly
selfish, putting your own pain
above the pain of those you love.
(MORE)
91.
LEWIS (CONT'D)
You lie to yourself, thinking you
can control death like you control
your world and your daughter. You
believe you can out-think your fear
by hiding behind your desk of dead
gods, but the truth is that you're
terrified.
FREUD
We all are! And you?! When the
siren sounded earlier you didn't
behave like a man who "took
comfort" this was his last day.
WHERE IS YOUR GREAT FAITH? Your
precious "Joy" in meeting your
maker? It disappears, because you
know under all your self-protective
lies he does not exist!
Freud puts his handkerchief to his lips, but doesn't let up.
FREUD (CONT.) (CONT'D)
YOU BURY YOUR DOUBTS AS YOU DO YOUR
MEMORIES OF THE WAR, BECAUSE AT
YOUR CORE YOU ARE NOTHING MORE THAN
A COWARD!
Freud COUGHS, PULLS HIS HANDKERCHIEF AWAY IT IS SOAKED WITH
BLOOD.
LEWIS
Sit down! Here!
He helps Freud to a chair and runs to the desk.
LEWIS (CONT.) (CONT'D)
I'll call an ambulance-
Freud shouts at him, speech thick.
FREUD
NO! NO HOSPITAL!
(Garbled)
Towel-
Lewis, understanding, runs out of the room.
123 INT. WATER CLOSET 123
Lewis rushes in, looks for towels.
92.
124 INT. FREUD'S STUDY 124
Freud's choking grows more violent. He shouts through his
soaked handkerchief.
FREUD
HURRY!
125 INT. HALLWAY 125
Lewis throws open the door of a tall cabinet towels.
126 INT. FREUD'S STUDY 126
Freud gasps for breath.
He tries to pull out his prosthesis, with pain. He sucks in
air, wheezing, both hands in his mouth.
Lewis runs in with towels.
Lewis puts one around him as Freud struggles, then steps
back, helpless.
Freud ROARS,
FREUD
TAKE IT OUT!
Lewis, dazed, hesitates.
FREUD (CONT'D)
TAKE IT OUT!!!
Freud lowers the already soaked towel, opens his mouth as
wide as he can. He reaches into FREUD'S MOUTH, trying to
grab the prosthesis with his hand.
Freud gasps for breath.
Lewis struggles, tries both hands.
Finally, as Freud screams in agony, he wrenches it out.
He cries out, what starts as howling, "AAAA" ends, weakly,
with "NA".
BOTH MEN catch their breaths.
FREUD (CONT'D)
Wa..ter.
93.
Lewis quickly pours a glass of water from the pitcher on a
table across the room. He brings it to Freud.
Surprised, he watches Freud dip the prosthesis in the glass
of water, rinsing it out. The water becomes red.
Carefully, wincing all the while, Freud gently re-inserts it.
LEWIS
Would you like to lie down?
Lewis helps Freud to the couch, assists him in lowering
himself onto it.
BOTH MEN are exhausted by the effort and the fright.
FREUD
(weak)
The Monster. Nearly won.
Lewis looks at Freud, eyes closed. This is a man afraid of
much more than cancer.
LEWIS
What can I do?
FREUD (CONT.)
Go.
LEWIS
Of course not. I'll stay with you
until someone comes.
FREUD
No-
Freud coughs, Lewis gives him a fresh towel, he holds it over
his mouth.
LEWIS
Don't talk.
Freud removes the towel.
FREUD
You'd. Like. That.
127 SOUND: PLANES IN THE DISTANCE. 127
BOTH MEN hear it and freeze.
The SOUND grows louder as the PLANES come closer.
94.
FREUD
Bombers?
Lewis rises, crosses to the DOORS leading out to the GARDEN.
128 EXT. GARDEN TERRACE 128
Lewis emerges from the house, looking up at the sky.
129 THREE PLANES IN FORMATION APPEAR OVER THE HOUSE AND FLY ON.
129
Lewis watches with relief.
130 INT. FREUD'S STUDY 130
Freud watches Lewis step back inside.
LEWIS
Transport planes. Ours.
Freud takes this in.
FREUD
I was afraid.
LEWIS
So was I.
FREUD
What were we thinking? It was
madness to think we could solve the
greatest mystery of all time.
LEWIS
There's a greater madness. Not to
think of it at all.
Freud starts to rise.
FREUD
I will call you a taxi.
LEWIS
No! Sit. I'd rather walk to the
station. Get some air.
He picks up a tiny statue on Freud's shelf. It is the Saint
Freud identified earlier in the church.
95.
LEWIS (CONT'D)
This looks like the statue we saw
in Church.
Readies for argument.
FREUD
Yes.
LEWIS
You have a Catholic Saint on your
shelves?
FREUD
Saint Dymphna of Ireland. She is
the Patron Saint of the Mad. And
the lost.
Lewis puts Saint Dymphna back, checking his watch.
LEWIS (CONT.)
There's a train back to Oxford in
an hour.
Lewis isn't sure what else to say.
LEWIS (CONT.) (CONT'D)
I'm sorry to have disappointed you.
FREUD
The offense was mine.
LEWIS
I didn't say "offense". I said I
disappointed you.
Freud doesn't follow.
LEWIS (CONT.) (CONT'D)
My idea of God, it constantly
changes. He shatters it again and
again. Still, I feel the world is
crowded with him. He is everywhere.
Incognito. And His incognito
it's so hard to penetrate. The real
struggle is to keep trying. To come
awake. And stay awake.
FREUD
One of us is a fool. If you are
right, you will be able to tell me
so. If I am right, neither of us
will ever know.
(MORE)
96.
FREUD (CONT'D)
Death is as unfair as life.
Goodbye, Professor. We will meet
again, perhaps.
Lewis takes Freud's outstretched hand.
LEWIS
God willing.
BOTH men smile. Lewis turns to go, and is slightly confused
when he notices the photo on the table from earlier is not of
himself but someone else, who looks similar.
FREUD
Wait-
Freud rises, pulls a book from his desk drawer, then sits.
FREUD (CONT.) (CONT'D)
Do you remember the joke in my book
about the Pastor and the Village
atheist?
LEWIS
No.
While he tells his joke, Freud takes a pen and writes in the
book. Lewis glances back at the photo, still shaking it off.
FREUD
The Village Atheist was an
Insurance Agent. He asked the
local Pastor if he would make a
sick call. The Atheist's family was
astonished. He was on his
deathbed, they couldn't believe he
had the strength to speak with the
Pastor, of all people. All day the
two men quarreled, then all night.
Finally, at dawn, the weary Pastor
stumbled from the house. The
Villager had died, still an
atheist. But the Pastor was fully
insured.
Lewis laughs, Freud is proud of that. He takes the book he's
inscribed and slips it into Lewis' coat pocket.
LEWIS
Now that is funny. If only there
were such a thing.
FREUD
Humor?
97.
LEWIS
Insurance.
Lewis nods to Freud, almost a small bow. Freud returns it.
131 EXT. FREUD'S HOME MOMENTS LATER 131
Lewis comes down the front steps.
ANNA (O.S.)
PROFESSOR!
Lewis sees Anna rushing toward him. Exhausted, agitated.
LEWIS
Miss Freud? Are you all right?
ANNA
I have his medicine. I came as fast
as I could-
LEWIS
(concerned)
He's waiting for you, but he's
fine. Really. No need to worry.
ANNA
I'm so glad you were here. It looks
like you survived your visit.
LEWIS
(quoting "Invictus")
"In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance,
My head is bloody, but unbowed."
ANNA
(surprises him continuing)
"Beyond this place of wrath and
tears, Looms but the Horror of the
shade, And yet the menace of the
years Finds, and shall find, me
unafraid"
LEWIS
(impressed)
Cheers to us both.
Anna returns Lewis' smile.
ANNA
He's waiting for me.
98.
LEWIS
Of course. A pleasure.
Both start their ways, Anna stops, turns.
ANNA
Professor-
LEWIS
Jack.
ANNA
Jack, may I ask what you talked
about?
LEWIS
The better question would be, `What
didn't we?' The world, the war, the
meaning of it all. Our meaning.
ANNA
Love? Did you talk about love? Not
sexual, not libidinal or
instinctual. It's true meaning.
LEWIS
We spoke about God's love.
ANNA
I suppose you need great faith to
believe in either. Good bye.
A cab has pulled up and Dorothy steps out, excited.
DOROTHY
ANNA!
Anna turns and smiles at seeing her. Lewis watches their joy
in seeing each other and the two embrace. Lewis realizes
their intimacy and looks disappointed, then back at the
house, better understanding better Freud's struggle. Lewis
continues on.
DOROTHY (CONT'D)
Are you certain we should do this?
ANNA
I always looked to someone else for
answers.
(stares at her)
But I've never been more certain.
99.
132 INT. FREUD'S STUDY 132
Freud opens his desk drawer. He takes out the pill case
containing the dark pill he took earlier from the medicine
cabinet - the same pill he had given to Anna in Vienna, when
she was taken by the Brownshirts.
Clutching the pills in his hand, he places them back in the
bathroom, locking them away.
Freud then turns on the radio, sitting in the nearest chair.
KING GEORGE'S SPEECH has already begun.
KING GEORGE (RADIO)
This is the ultimate issue which
confronts us. For the sake of all
that we ourselves hold dear, and of
the world order and peace, it is
unthinkable that we should refuse
to meet the challenge.
133 INT. FOYER - CONTINUOUS 133
Anna opens the front door and enters with Dorothy.
CUT TO:
134 INT. TRAIN/FREUD'S STUDY - CONTINUOUS 134
Lewis settles into a seat of the train car. The train begins
to move, its clatter getting louder and louder.
Lewis closes his eyes.
LEWIS' FANTASY,
He's back in his toy forest, this time not as a child but as
a man. He stares ahead into endless, forbidding shadows.
KING GEORGE (V.O.)
There maybe be dark days ahead. And
war can no longer be confined to
the battlefield.
CUT TO:
C.U. Freud listening to the KING.
100.
KING GEORGE (RADIO)
But we can only do the right as we
see the right. And reverently
commit our cause to God.
Freud sighs at another "GOD" reference.
CUT TO:
135 LEWIS, 135
Seeing a tiny speck of light far ahead, then vanishing.
Intrigued, his pace quickens. The toy trees he passes become
real ones.
CUT TO:
136 FREUD 136
Leaning back, staring at the ceiling.
In the hallway outside the study door, Anna and Dorothy
appear.
KING GEORGE (CONT.)
If one and all we keep resolutely
faithful to it, ready for whatever
service or sacrifice it may demand,
then with God's help we shall
prevail.
Anna surprises Dorothy by taking her hand.
CUT TO:
137 FREUD 137
Opening his hand and seeing the pill he holds.
BBC ANNOUNCER (CONT.)
We will return to the BBC
Orchestra, featuring tonight, on
their musical program, Percy
Whitlock's "Battle of the Wood
Creatures"
Freud rises, reaches for the dial to turn the radio off as
the music begins. And hesitates.
He turns the music up.
101.
Movement catches his eye:
He turn to see Anna and Dorothy enter. They stop. Anna takes
Dorothy's hand in hers.
For a moment, Father and Daughter stare at each other.
Saying nothing, Freud goes back to his chair beside the
radio, surreptitiously slipping the "suicide" pill into his
pocket, then half-turns, waving them nearer.
Anna and Dorothy walk slowly across the study, passing rows
of Gods watching them.
Freud doesn't move from the radio as Anna and Dorothy sit
close to him.
MUSIC swells - Anna looks to her Father, surprised to see him
listening to music. He turns, meets her eyes.
Freud then stares at the radio, listening intently, trying to
decipher what he should feel.
CUT TO:
138 LEWIS 138
The FOREST is golden now, shimmering between reality and
fantasy.
The brightness of the single beam of light stops him.
He shields his eyes, trying to see-
His expression changes, astonishment, awe, at what he-
CUT TO:
139 THE TRAIN 139
Its brakes scream as the train slows.
Lewis, jolted, opens his eyes as the gas mask bag on his lap
falls to the floor.
Reaching down for the bag, he feels the book in his pocket
Freud gave him.
The train slowly picks up speed.
Lewis looks at the book: it is his own, a copy of "PILGRIM'S
REGRESS".
102.
Freud had read it after all.
Lewis opens the book to see what Freud had written inside:
"FROM ERROR TO ERROR, ONE DISCOVERS THE ENTIRE TRUTH".
Signed, Sigmund Freud.
Lewis reads it and smiles as the train enters a tunnel.
FADE OUT.
140 140
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